Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1982.
Pat Metheny - chitara acustica si electrica
Lyle Mays - pian, sintetizatoare, Synclavier
Steve Rodby - bas
Dan Gottlieb - tobe
Nana Vasconcelos - percutie, voce, berimbau
AllMusicGuide: "Now well into its gliding Brazilian-tinged mode, the Pat Metheny Group hits the road, as this two-CD set catches the band live in Dallas, Philadelphia, Hartford, Sacramento, and Nacogdoches, TX.
Percussionist Nana Vasconcelos is still listed as a "special guest," but ever since Wichita Falls, he had not only been a part of the group, he was the transforming element in the Metheny "sound," adding his various shakers, effects and ethereal vocals.
2LP
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
2014
Jakob Bro - chitara
Thomas Morgan - contrabas
Jon Christensen - tobe
Gefion is Danish guitarist Jakob Bro’s first ECM album as leader, following recordings for the label as sideman with Paul Motian and Tomasz Stanko.
1975
Keith Jarrett, Jan Garbarek, Charlie Haden, Stuttgart Radio Symphony Orchestra ( dirijor Mladen Gutesha )
AllMusic: "With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra.
While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time -- particularly the nearly 28-minute "Mirrors" -- can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience. "
1972
Chick Corea - pian
Anthony Braxton - instrumente de suflat cu ancie, percutie
Barry Altschul - percutie
David Holland - contrabas, violoncel
Supergrup Free-Jazz
Circle was a band on fire with creativity. Chick Corea and Dave Holland had just left Miles Davis’s band, keen to explore all parameters of new music in an improvised context. Anthony Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Barry Altschul’s resumé included extensive work with Paul Bley. Together they were, for a while, matchless. Corea called the Paris Concert (recorded 1971) the realization of a dream. Melody Maker: “Paris Concert is evidence that here was one of the most excitingly talented bands of recent years, for these 94 minutes of music simply burst with vigorous invention.”
1973
Gary Burton - vibrafon
Michael Goodrick - chitara
Steve Swallow - bas
Ted Seibs - tobe
ecmreviews:
"If one were to draw a line between the ensemble aesthetics of Eberhard Weber and Keith Jarrett, then one might plot the compositions of orchestral jazz legend Mike Gibbs somewhere along the way. Born in 1937 in what was then Southern Rhodesia, and a graduate of Boston’s Berklee College of Music, Gibbs has laid down a musical path as diverse as his travels. On Seven Songs for Chamber Orchestra, one gains vision of a mind looking not so much to cross over into uncharted waters as to expand the inclusivity of jazz’s already broad topography. At the heart of this project is Gibbs’s most famous student, the inimitable Gary Burton, who presents a lovingly realized program of his mentor’s own design.
2019
Larry Grenadier - contrabas
Larry Grenadier’s The Gleaners is a profound and highly creative album, harvesting influences from many sources, its title inspired by Agnès Varda’s film The Gleaners and I. In between his own pieces here, including a dedication to early hero Oscar Pettiford, Grenadier explores compositions by George Gershwin, John Coltrane, Paul Motian, Rebecca Martin and Wolfgang Muthspiel.
The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert.
Even for ECM, this is an album of radical gentleness. Oded Tzur is a New York-based, Israel-born tenor saxophonist making his debut on the label. He’s studied with bansuri master Hariprasad Chaurasia and perhaps raga concepts influenced the music here. Tzur is quite an original player/composer, with few obvious influences in the jazz canon. […] Hershkovits and Tzur are clearly simpatico and the pianist is out front on the disc as much as the saxophonist. Klampanis and American drummer Johnathan Blake are charged with listening carefully, lest the spell be broken. It never is.
Jim Motavalli, New York City Jazz Record
Rekindling the familiarly flowing interplay with fellow travellers Thomas Morgan and João Lobo – the trio’s musical partnership goes back over a decade at this point –, on A New Day Italian pianist Giovanni Guidi moreover expands the group’s instrumental grasp with the introduction of American saxophonist James Brandon Lewis, who makes his ECM debut here. Not only is the ensemble scope widened; with Brandon Lewis in tow, new dialects and fresh perspectives are broached, and different instrumental paths taken, inspired by an overall heightened sense of communication and Lewis’s unmistakable, confident tone. Recorded at Studios La Buissonne, Southern France, in August 2023, the album was produced by Manfred Eicher.
LP 180g
LP 180g
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