Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
LP 180g gatefold, ediție audiofilă Blue Note Tone Poet
2LP gatefold, amber transparent
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Release:2023
2014
Jakob Bro - chitara
Thomas Morgan - contrabas
Jon Christensen - tobe
Gefion is Danish guitarist Jakob Bro’s first ECM album as leader, following recordings for the label as sideman with Paul Motian and Tomasz Stanko.
2017
John Abercrombie - chitara
Marc Copland - pian
Drew Gress - contrabas
Joey Baron - tobe
Guitarist John Abercrombie – who has recorded as a leader for ECM since 1974 – returns with a second album by his quartet featuring Marc Copland on piano, along with longtime rhythm partners Drew Gress and Joey Baron. Extolling 39 Steps, the group’s 2013 album, the Financial Times said: “The emphasis is on subtle intrigue, flowing lyricism and the interplay between the leader’s warm, cleanly articulated guitar and Copland’s piano… with bassist Gress and drummer Baron equally supple and sinewy companions.
2017
Bugge Wesseltoft - pian
Bugge Wesseltoft and producer Siggi Loch have returned to the original concept of “Snowing” in “Everybody Loves Angels”. The title is a metaphor for the kind of weightless ease which the music conveys; and this time it's not just for winter...The success story started in 1997. Bugge Wesseltoft had just released the album “New Conception Of Jazz” on his own newly-founded label Jazzland. That album broke new ground...
1977
Keith Jarrett - pian, saxofon, percutie
Dewey Redman - saxofon tenor, percutie
Charlie Haden - contrabas
Paul Motian - tobe, percutie
The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents.
Initially published in January 1977, vinyl is reissued in April 2017 as audiophile pressing taken from the original analog tapes.
2013
In The Country:
Morten Qvenild - pian, electronice
Roger Arntzen - contrabas, electronice
Pal Hausken - tobe, percutie, vibrafon, electronice
Genuine novelistic: Morten Qvenilds piano trio oscillates between tradition and experiment, minimalism, moody chants and anthemic intensity.
LPul include si varianta CD ( in mapa de carton )
1995
Lacquer Cut By – Bernard Grundman
Rolling Stone: "Like the Beasties, Beck is among the few white-boy hip-hop wanna-be’s with a clue. He truly understands the tenuous thread that connects funk to punk, hip-hop to art rock, and jazz to country blues, and is able to cram his encyclopedic knowledge of 20th-century musical styles into three- and four-minute nuggets of pure pop. But as “Loser” made clear, Beck’s avant-garde, mix-and-mingle approach is not just an intellectual exercise. When he chants, “I got two turntables and a microphone,” over a funky keyboard line and a midtempo drum track on Odelay’s “Where It’s At,” he does so with such giddy enthusiasm you can practically see him rifling through his electro-funk collection for the perfect Afrika Bambaataa groove. It’s nothing short of the sort of passionate fandom that emanates from Keith Richards’ country- and blues-inspired guitar licks on Exile on Main St. or from Bob Dylan’s Jack Kerouac-by-way-of-Woody Guthrie crooning on Highway 61 Revisited."
1981
Bass – Simon Gallup
Drums – Laurence Tolhurst
Guitar, Keyboards, Voice – Robert Smith
Remastered By – Robert Smith
AllMusic : "Certainly not the "darkest" the Cure would eventually get, Faith is, as represented by the cover art, one of the most "gray" records out there. Melancholy and despondent (the feel of funerals and old churches just oozes from this record) without the anger that would over take Pornography, Faith comes off as not just a collection of songs, but as a full piece."
1973
Bryan Ferry, Andy Mackay, Phil Manzanera, Paul Thompson, Eddie Jobson
Lacquer Cut By – Miles Showell
Mastered By – Bob Ludwig
AllMusic: " Without Brian Eno, Roxy Music immediately became less experimental, yet they remained adventurous, as Stranded illustrates. Under the direction of Bryan Ferry, Roxy moved toward relatively straightforward territory, adding greater layers of piano and heavy guitars. Even without the washes of Eno's synthesizers, Roxy's music remains unsettling on occasion, yet in this new incarnation, they favor more measured material, whether it's the reflective "A Song for Europe" or the shifting textures of "Psalm." Even the rockers, such as the surging "Street Life" and the segmented "Mother of Pearl," are distinguished by subtle songwriting that emphasizes both Ferry's tortured glamour and Roxy's increasingly impressive grasp of sonic detail. "
1986
James Hetfield - Kirk Hammett - Cliff Burton - Lars Ulrich
BBC: It’s hard, fast, rock with substance that doesn’t require the listener to wear eye-liner or big fire-hazard hair to enjoy. It also features more serious themes (albeit expressed in a particularly aggressive and direct way) and more complex arrangements than similar acts of the same era.
2002
Lacquer Cut By – John Golden
Mastered By – Bob Ludwig
BBC: "Lazy journalism dictates that all reviews of a new Beck album must make reference to the fact that he is a 'post-modern Prince' and that his lyrics tend to be 'surreal wordplay with a hip hop edge'. Well, scratch all that because, compared to his last release - the sexy funk pot-pourri, Midnite Vultures -this is about as straightforward as he's ever been. If Midnite Vultures was his seduction album, Sea Change is his bitter break-up opus. Yes, someone has broken Beck's heart and, for better or worse, we're invited along for the ride."
Privateering is the seventh solo studio album by British singer-songwriter and guitarist Mark Knopfler, released on 3 September 2012 by Mercury Records. The first studio double-album of Knopfler's 35-year career as a recording artist, Privateering consists of 20 original songs (plus four more released in other editions), and integrates blues rock with traditional folk and country genres.
Reissue, Remastered, 180 Gram
Mastered At Gateway Mastering
Lacquer Cut At Abbey Road Studios
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