Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
3LP orchid marbled
LP 180g Acoustic Sounds Series
LP 180 ed. limitată, gatefold, copertă alternativă
2LP 180g gatefold, ed. limitată, smokey blue vinyl
LP 180g
Deluxe Edition, Limited Edition, Remastered, Stereo
Commemorating the 25th anniversary of Sir Georg Solti’s passing “The Greatest Recording Of All Time” Now sounding better than ever before Transferred and remastered in HD sound at 24bit / 192kHz from the original two-track stereo mastertapes.
The first all-new transfer in over twenty-five years. The first-ever stereo production of Wagner’s Ring cycle, still considered the benchmark today. “Here is the greatest achievement in gramophone history yet”, wrote Gramophone in 1965. For many, it still is.
2LP gatefold, aqua green
LP picture disc, ed. limitată Record Store Day 2025
LP ed. limitată Record Store Day 2025
7" single
LP sky blue, ed. limitată Record Store Day 2025
LP aniversar 40 de ani, remasterizat
LP 180g, gatefold, ed. limitată The Original Source, numerotat, album audiofil
2x12" 180g 45rpm, gatefold, ed. limitată The Original Source, numerotat, album audiofil
Testeaza in showroom Cotroceni
1981
Pat Metheny - chitara electrica si acustica
Lyle Mays - claviaturi, Synclavier
Steve Rodby - bas
Nana Vasconcelos - percutie, berimbau, voce
Dan Gottlieb - tobe
AllMusic : "If 1980's As Falls Wichita, So Falls Wichita Falls was defined by Pat Metheny's charisma, its less accessible but certainly rewarding successor, Offramp, finds him leaning more toward the abstract. But as cerebral as Metheny gets on such atmospheric pieces as "Are You Going with Me?" and "Au Lait," his playing remains decidedly lyrical and melodic. Clearly influenced by Jim Hall, the thoughtful Metheny makes excellent use of space, choosing his notes wisely and reminding listeners that, while he has heavy-duty chops, he's not one to beat everybody over the head with them. Even when he picks up the tempo for the difficult and angular title song, he shuns empty musical acrobatics.
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