Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Format: LP, Album, Reissue, Remastered, 180 Gram
Release: 2015
new stereo mix by Giles Martin
The Cappella Gabetta, with cellist Sol Gabetta joined by a Baroque chamber ensemble led by her brother Andrés, has attracted top-notch vocal collaborators: first Vivica Genaux on an album of music by Handel and Hasse, and now no less than Cecilia Bartoli on this collection of Baroque arias featuring solo cello. It may sound like an arcane concept, and the breezy project graphics may have little or nothing to do with it, but the two performers do seem to have fun with the music and to deliver the "sweet duels" promised by the title. Sample the enticing "What passion cannot music raise and quell," from the Ode for St. Cecilia's Day, for a taste of the two "voices" that complement each other as well as in any vocal duet. The performers went to some lengths to find arias with this particular configuration, and it speaks well of their efforts that they've located some rather rare works that stick in the ear. The aria by Haydn's teacher Porpora does not set off vocal fireworks, but it must have been written to showcase the talents of a cellist, and it's as satisfying a duet today as it was on the day it came into existence. The final Cello Concerto No. 10 in D major of Boccherini does not quite fit with the rest stylistically; one of Vivaldi's cello concertos might have been a better bet. Yet this is in the main a fine offbeat choice featuring some star performers.
Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. It was released as a double album on 24 February 1975 by the group's new record label, Swan Song Records.
Classic Rock Review : "Five years in the making, Metallica took a semi-radical turn on their sixth studio album, Load. The album incorporates elements of alternative rock, blues, southern rock and even country while remaining rooted in the group’s traditional brand of heavy metal. While this musical progression caused a bit of controversy among long time fans, the album was an immediate commercial hit and was their fastest selling out of the gate.
The Wall is the eleventh studio album by English rock band Pink Floyd, released in 1979 through Harvest and Columbia Records. Conceived during the In The Flesh tour, recording spanned nearly a year, from December 1978 to November 1979, and took place in France, England, New York, and Los Angeles. It was produced by Bob Ezrin, who helped to refine the concept and bridge tensions during recording. Some of the outtakes from the recording sessions were used on the band's next album, The Final Cut (1983).
Remastered – James Guthrie, Joel Plante, Bernie Grundman
Lacquer Cut – Bernie Grundman
Mostly recorded at The Record Plant, Los Angeles, CA: February & March, 1970
Mastered at Audio Mechanics 2023
Vinyl lacquers cut at Bernie Grundman Mastering, 2023
The Immaculate Collection is a greatest hits album by American recording artist Madonna, released on November 9, 1990 by Sire Records. It contains new remixes of fifteen of her hit singles from 1983 to 1990, as well as the new tracks "Justify My Love" and "Rescue Me".
Help! is the fifth studio album by English rock band the Beatles and the soundtrack from their film Help!. It was released on 6 August 1965. Produced by George Martin, it was the fifth UK album release by the band, and contains fourteen songs in its original British form.
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