Muzica ECM

2018

Jakob Bro - chitara
Thomas Morgan - contrabas
Joey Baron - tobe

“There is no hurry to this music, but there is great depth,” observed London Jazz News about Danish guitarist Jakob Bro’s trio with two kindred-spirit Americans: bassist Thomas Morgan and drummer Joey Baron. This poetically attuned group follows its ECM studio album of 2016, Streams – which The New York Times lauded as “ravishing” – with what Bro calls “a dream come true,” an album recorded live in New York City, over two nights at the Jazz Standard. Bay of Rainbows rolls on waves of contemplative emotion as the three musicians explore five pieces from the guitarist’s catalog, with the gorgeous “Copenhagen” a favorite reprised from Gefion, Bro’s 2015 ECM release.

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LP 180g

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Pentru prima data pe vinil !

Charles Lloyd - saxofon tenor
John Abercrombie - chitara
Dave Holland - contrabas
Billy Higgins - tobe, percutie

Charles Lloyd's sixth ECM album is both a departure and a homecoming for the Memphis-born and California-based tenorist, introducing new music and revisiting archive favourites (including the epic 'Forest Flower'), and featuring an all-star line-up. With his 'Scandinavian' band currently on hold,this is Lloyd's first all-American album in a long while - Dave Holland qualifies as an honorary American by now - with all the differences of cultural emphasis that this implies. ECM veteran John Abercrombie and legendary drummer Billy Higgins are in great form throughout as they lock in with Lloyd to tackle material ranging from Billy Strayhorn's 'A Flower Is A Lovesome Thing' to the Elvis Costello/Burt Bacharach-penned 'God Give Me Strength' or dig deep into the roots music of the 'Island Blues Suite'.

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1975

Keith Jarrett, Jan Garbarek, Charlie Haden, Stuttgart Radio Symphony Orchestra ( dirijor Mladen Gutesha )

AllMusic: "With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra.

While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time -- particularly the nearly 28-minute "Mirrors" -- can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience. "

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