VINIL ECM Records Masqualero: Re-Enter
ATENŢIE: Produsul VINIL ECM Records Masqualero: Re-Enter nu mai este disponibil la AVstore.ro.
Acest lucru se datorează de cele mai multe ori faptului că producătorul ECM Records a încetat să mai fabrice acest model sau l-a înlocuit cu unul mai performant.
Arild Andersen - contrabas
Jon Christensen - tobe, percutie
Tore Brunborg - saxofon tenor si sopran
Nils Petter Molvaer - trompeta
ecmreviews : "Three years after leading Aero, Arild Andersen’s Masqualero outfit—by now a quartet with Jon Christensen on drums, Tore Brunborg on saxophones, and Nils Petter Molvær on trumpet—returned to ECM’s Rainbow Studio with a solid follow-up. On this outing the band seems most comfortable in its shoes, and uses that confidence to travel more abstract avenues of expression.
Prezentare generala VINIL ECM Records Masqualero: Re-Enter
1990
Masqualero:
Arild Andersen - contrabas
Jon Christensen - tobe, percutie
Tore Brunborg - saxofon tenor si sopran
Nils Petter Molvaer - trompeta
ecmreviews : "Three years after leading Aero, Arild Andersen’s Masqualero outfit—by now a quartet with Jon Christensen on drums, Tore Brunborg on saxophones, and Nils Petter Molvær on trumpet—returned to ECM’s Rainbow Studio with a solid follow-up. On this outing the band seems most comfortable in its shoes, and uses that confidence to travel more abstract avenues of expression.
The strident opening statement in the title cut is a case in point, for its conventions quickly slide down a banister of drums into a groovy bass line, mere preamble to some wild conversation between Molvær and Brunborg, who rock that fulcrum with unrelenting conviction. (Note also their smoldering handoff in “Gaia.”) The latter’s gorgeous soprano brings out more of the same in “Lill’ Lisa” over some touch-and-go drumming from Christensen and Andersen’s echoing draws. Even subtler acts of sonic pension like “Heiemo, Gardsjenta” and “Find Another Animal” pull at frayed seams in delightful ways. “Little Song” is, in scope, anything but, expanding as it does far into the horizon of its intimacies.
And if John Zorn’s Masada is your bag, then you’re sure to be delighted by “There Is No Jungle In Baltimore.” Masqualero crosses the finish line with time to spare in “Stykkevis Og Delt,” ending with a concoction that is equal parts elegy and tribute, as monochromatic and cloudy as cover photograph."
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