Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2016
Tord Gustavsen - pian, electronice, sintetizator de bas
Simin Tander - voce
Jarle Vespestad - tobe
This is essentially a vocal record that contains more singing than any previous Gustavsen release and it also introduces an element of electronica to what has previously been an exclusively acoustic music.
1975
Keith Jarrett, Jan Garbarek, Charlie Haden, Stuttgart Radio Symphony Orchestra ( dirijor Mladen Gutesha )
AllMusic: "With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra.
While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time -- particularly the nearly 28-minute "Mirrors" -- can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience. "
1986
Keith Jarrett - pian
Gary Peacock - bas
Jack DeJohnette - tobe
AllMusic: "Once Keith Jarrett gets into a concept, he likes to keep those tapes rolling. This two-disc live outpouring from a Standards Trio gig at Munich's Philharmonic Hall was the biggest offering from this group up to that time (it wouldn't hold that distinction for long) -- and once again, Jarrett treats his brace of pop and jazz standards with unpredictable, often eloquently melodic and structural originality.
To cite a pair of highlights: "Autumn Leaves" always seems to bring out an endless flow of invention from Jarrett, and "The Song Is You" gets off to a rollicking start and maintains a nearly relentless energy level for 17 minutes, closing with a Spanish vamp. Again, the rapport with his onetime jazz-rock associate, drummer Jack DeJohnette, and bassist Gary Peacock is total; DeJohnette's mastery of shifting cymbal patterns while maintaining the pulse acts on the trio like a loose tether made of carbon steel. There is a considerable amount of Jarrett vocalizing, though; sometimes he sounds like a tortured animal. "
Testeaza in showroom Cotroceni
1973:
Chick Corea - pian
Gary Burton - vibrafon
The Corea/Burton duo was brought together by producer Manfred Eicher, and Crystal Silence (recorded in 1972) brought a new chamber music sensibility into jazz improvisation, distinguished by an effervescence of melody and countermelody, with synchronized cascades of sound in continually changing harmonic movement. “It becomes a little magical,” said Corea. Stereo: “Crystal Silence is an album of extraordinary musicianship and rare beauty. Rarely have two musicians been so perfectly matched and rarely do we hear an album of such consistent excellence and originality. “
Initially published in April 1973, vinyl is reissued in April 2017 as audiophile pressing taken from the original analog tapes.
2018
Andrew Cyrille - tobe
Wadada Leo Smith - trompeta
Bill Frisell - chitara electrica
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers.
A generous leader, Cyrille gives plenty of room to his cohorts, and all three musicians bring in compositions, with “Turiya”, Wadada’s elegant dedication to Alice Coltrane, unfurling slowly over its 17-minute duration. In his own pieces, including the title track and the closing “Pretty Beauty”, Cyrille rarely puts the focus on the drums, preferring to play melodically and interactively, sensitive to pitch and to space. There are references to West African music and the blues as well as the history of jazz drumming, but Cyrille’s priority today is an elliptical style in which meter is implied rather than stated.
2017
Avishai Cohen - trompeta
Yonathan Avishai - pian
Barak Mori - contrabas
Nasheet Waits - tobe
If trumpeter Avishai Cohen's ECM debut, Into The Silence was a work of deeply personal content, Cross My Palm With Silver plays out with the same emotional impact, but on a global stage. Cohen composed the five pieces on this album in his native Israel, while contemplating the impact of political division on the human psyche. His hope is that the music contributes to a healing process. [ AllAboutJazz ]
2018
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe
For years, fans of Poland's Marcin Wasilewski Trio have been asking for a live album. The group made this one "by accident", unaware that their August 2016 performance at Jazz Middelheim in Antwerp had been recorded by the festival.
The trio is certainly in energetic, extroverted mode, fanning the flames of their 'Spark of Life' repertoire and drawing on the deep understanding Marcin Wasilewski, Slawomir Kurkiewicz and Michal Miskiewicz have established in the course of a quarter century of shared musical endeavour. As Jazz Journal has noted, "Wasilewski's music celebrates a vast dynamic range, from the most deftly struck pianistic delicacies to gloriously intense emotional exuberance, the chords pounded with unrestrained joy, yet always within a marvellously melodic concept."
The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert.
An adaption of the play by Harold Pinter.
Carla Bley and Ron McClure recorded during January 1976 at Grog Kill Studio, Willow, New York. Robert Wyatt and Chris Spedding recorded during February with the Manor Mobile at Delfina's farm. Little Bedwin, Wiltshire, England. Kevin Coyne recorded during April with the Virgin Mobile at the Gong farm, Whitney, Oxfordshire, England. Additional strings recorded during June and mixed during November at Grog Kill Studio.
Septembrie 1990 - Compozitor: Gavin Bryars - Interpreteaza: Bill Frisell, Alexander Balanescu, Kate Musker, Tony Hinnigan, Roger Heaton, Dave Smith, Martin Allen, Simon Limbrick, Evan Parker, Stan Sulzmann, Ray Warleigh, Julian Arguelles
1986
Kim Kashkashian - viola
Robert Levin - pian
Simply overflowing with musical brilliance, it remains one of the finest examples of what the viola is capable of. Kim Kashkashian’s technique and passion are almost palpable and one can only marvel at the humble respect she brings to both. The viola doesn’t simply exist somewhere between violin and cello, forever doomed to be second rate to both. It is, rather, an utterly dynamic and rich musical object, and the ways in which Hindemith unravels its subtler intonations in these sonatas is nothing short of monumental. Every chapter tells us something new, until the linguistic possibilities of the music represented in this eclectic set are exhausted. [ ecmreviews ]
1981
Ralph Towner - chitara clasica, double-six
John Abercrombie - chitara acustica, , electrica, mandolina electrica
John Abercrombie is unique among guitarists in that whenever he becomes enraptured his sound becomes neither louder nor more pronounced but becomes somehow mysterious, liberated. Ralph Towner, on the other hand, revels in the crackling ruptures that so characterize his playing. Yet these roles seem reversed in this follow-up to the duo’s Sargasso Sea. A far more fragile carnation than its predecessor, it seems to forego the usual bag of tricks in favor of something more, as the album’s title would imply, reflective. This is especially apparent in the three improvisations with which the set list is dotted, and nowhere more so than in “Late Night Passenger,” where Abercrombie’s laddered filaments provide stunning berth for the other’s muted, jangling starlight. [ ecmreviews ]
1985
Shankar - vioara, voce , sintetizatoare, drum machine
Caroline - voce, sintetizatoare, tambura
Steve Vai - chitara electrica
Gilbert Kaufman - sintetizator
Percy Jones - bas electric
ecmreviews: "When I first slid this CD into my computer, the Gracenote Media Database upped my anticipation by filling in its genre as “Traditional.” Which is exactly what this album is not. But if you’re looking for a quirky lollipop that has baffled ECM and Shankar enthusiasts for decades, by all means lick away. With endearing vocals by Caroline, not to mention the collaborative edge of having guitar legend Steve Vai and bassist Percy Jones (of Brand X fame) in the same studio, one can only imagine the possibilities of throwing Shankar’s astounding virtuosity into such a milieu.
2016
Carla Bley - pian
Andy Sheppard - saxofoane
Steve Swallow - bas
Andando el Tiempo features new music of wide emotional compass by Carla Bley, and underlines her originality and resourcefulness as a jazz composer. “Saints Alive!” sets up animated conversations between the participants with striking statements from Steve Swallow’s bass guitar and Andy Sheppard’s soprano sax.
2017
Chris Potter - saxofoane, clarinet, bas clarinet, flaut, sampling
David Virelles - piano, celesta
Joe Martin - contrabas
Marcus Gilmore - tobe, percutie
AllAboutJazz :
"Multi-reedist and composer Chris Potter has been an in-demand artist since his late teen years when he began playing the New York clubs. With a diverse catalog that runs from Steely Dan to regular collaborations with Dave Holland, Potter has picked up a number of Grammy nominations and wins. His versatile abilities have made him equally at home touring with the lyrical Jim Hall or recording in the angular style of Steve Swallow's Damaged in Transit (WATT/ECM, 2003). The Dreamer Is the Dream is Potter's third leader release on the ECM label.
2016
Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Brian Blade - tobe
AllAboutJazz :
"Austrian guitarist Wolfgang Muthspiel made a big splash early in his career, playing with vibraphonist Gary Burton and recording for PolyGram Records (including 1990's The Promise, produced by Burton). Since founding his own label Material Records in 2000 he has had a somewhat lower profile, although in addition to a number of his projects the label released From A Dream (2009), the stunning debut of the cooperative trio MGT (with fellow guitarists Slava Grigoryan and Ralph Towner). Muthspiel made his ECM debut with that trio on 2013's Travel Guide, followed by his leader debut in 2014 with the trio album Driftwood (with bassist Larry Grenadier and drummer Brian Blade).
2018
Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Eric Harland - tobe
Where The River Goes carries the story forward from Rising Grace, Austrian guitarist Wolfgang Muthspiel’s widely acclaimed 2016 recording, returning his cast of musicians to the same studio in southern France, for more of the intuitive magic and deep listening that characterised the earlier album. “The disc’s ambience,” said Downbeat of Rising Grace, “is meditative yet optimistic and joyful. Percolating grooves propel the flow; elemental melodies and classical harmonies provide signposts.”
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