CD Naim Barb Jungr: Stockport To Memphis
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As ever, Jungr's voice, phrasing and emphasis nail the essence of each song, making its meaning felt as much as heard. This is as true on others' songs as on her own. Of course, the album includes a Dylan song—"Lay Lady Lay," this time around given a tender reading with the entire band in top form, notably Wallace on atmospheric Hammond organ. Two other songs—Joni Mitchell's "River" and Hank Williams' "Lost on the River"—were key parts of Jungr's River set which she toured in 2010-11; both are superbly performed, benefitting from having been honed in front of live audiences. Other highlights—in an album full of them—include The Zombies classic "(S)he's Not There," given a subtle gender change, and Neil Young's "Old Man," which Jungr (born 1954) says she now appreciates more from the viewpoint of its subject than its writer. As this album demonstrates, she is maturing like fine wine. [All About Jazz]
Prezentare generala CD Naim Barb Jungr: Stockport To Memphis
2012
Barb Jungr – vocals, harmonica and backing vocals
Simon Wallace – piano and Hammond organ
Jenny Carr – piano on ‘Old Man’
Rod Youngs – drums
Neville Malcolm – double bass
Natalie Rozario – cello
Mari Wilson – backing vocals
Ian Shaw – backing vocals
Sarah Moule – backing vocals
Gary Hammond – percussion
Mark Armstrong – trumpet
Roddy Matthews – guitar
Produced, recorded and mixed by Simon Wallace at Underhill Studios, London
Mastered by Ben Turner at Finesplice Mastering, Middlesex, UK
There has long been a confessional, autobiographical element to Jungr's between-song chats to live audiences. Here, songs such as "Stockport to Memphis" and "New Life" reflect that side of her, focusing on her family history as well as capturing the excitement and vulnerability of a young woman leaving home.
Accompanied by Mark Armstrong's muted trumpet, with a brief Simon Wallace piano solo, the track is exquisitely nostalgic.
Compared to those two songs, the album's other Jungr compositions evoke strong emotions just as well, although they do not have their autobiographical detail. So, "Urban Fox"—about the animal of the title—works at two levels, one literal, and one metaphorical. "Till My Broken Heart Begins to Mend," with fine harmonica from Jungr herself, does justice to the song's title.
As ever, Jungr's voice, phrasing and emphasis nail the essence of each song, making its meaning felt as much as heard. This is as true on others' songs as on her own. Of course, the album includes a Dylan song—"Lay Lady Lay," this time around given a tender reading with the entire band in top form, notably Wallace on atmospheric Hammond organ. Two other songs—Joni Mitchell's "River" and Hank Williams' "Lost on the River"—were key parts of Jungr's River set which she toured in 2010-11; both are superbly performed, benefitting from having been honed in front of live audiences. Other highlights—in an album full of them—include The Zombies classic "(S)he's Not There," given a subtle gender change, and Neil Young's "Old Man," which Jungr (born 1954) says she now appreciates more from the viewpoint of its subject than its writer. As this album demonstrates, she is maturing like fine wine. [All About Jazz]
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