CD ECM Records Wolfgang Muthspiel, Larry Grenadier, Brian Blade: Driftwood
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Wolfgang Muthspiel - chitara
Larry Grenadier - contrabas
Brian Blade - tobe
This album is one arc, one musical environment. Rapt atmospheres descend, then evolve. Muthspiel is a romantic, but he is also technically astute and concise. He plays very few nonessential notes. The essence of the Eicher aesthetic is cinematic. [ Thomas Conrad, Jazz Times ]
Prezentare generala CD ECM Records Wolfgang Muthspiel, Larry Grenadier, Brian Blade: Driftwood
2013
Wolfgang Muthspiel - chitara
Larry Grenadier - contrabas
Brian Blade - tobe
As much as ‘Driftwood’ speaks with the voice of three musicians whose distinctive and collective personalities imbue these eight tracks—seven by Muthspiel plus the collectively credited, spontaneously composed title track—there's a certain sense of what came before as well. When Muthspiel performs on nylon-string guitar, there are echoes of early Towner recordings like ‘Batik’ (ECM, 1978), while his electric work, despite a little tarter tone, possesses an overall ambience redolent of now fellow label-mate John Abercrombie's best recordings for the label, in particular his second trio recording with Gateway, ‘Gateway 2,’ released the same year as ‘Batik.’ […] ‘Driftwood's’ largely introspective tone is occasionally broken by brighter shards of light. When the tempo is brighter, as it is on ‘Highline,’ Muthspiel adopts a more assertive chordal stance—his grittily overdriven tone somehow managing to create sustaining chords even as he layers more deft linear work atop them as the piece builds to its definitive conclusion. Even with Blade and Grenadier's remarkably empathic—and, at times, portent-filled—ability to engage in more active trialogue with Muthspiel, the overall complexion remains impressionistic, the music filled with suggestive implication.
John Kelman, All About Jazz
This album is one arc, one musical environment. Rapt atmospheres descend, then evolve. Muthspiel is a romantic, but he is also technically astute and concise. He plays very few nonessential notes. The essence of the Eicher aesthetic is cinematic. ‘Driftwood’ is a setting for a storyline left to the listener’s imagination, a haunting soundtrack to a movie not yet made.
Thomas Conrad, Jazz Times
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