CD ECM Records Trygve Seim, Frode Haltli: Yeraz
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Trygve Seim - saxofoane
Frode Haltli - acordeon
Norwegian musicians Seim and Haltli have collaborated often over the years, and Frode is also a member of Trygve’s “Sangam” ensemble. But the flexible duo format has provided a particularly useful forum for the exploration of the most divergent music – from the Armenian folk song that gives the album its title to free play, from Gurdjieff to Bob Marley’s “Redemption Song”, and new and old tunes by Trgyve - as well as the exploration of sound, the plangent cry of the sax against the accordion’s breathing reeds. The Seim/Haltli duo has been a popular touring unit in recent seasons: this is the first, eagerly-anticipated, recorded documentation of its music.
Prezentare generala CD ECM Records Trygve Seim, Frode Haltli: Yeraz
2008
Trygve Seim - saxofoane
Frode Haltli - acordeon
Norwegian musicians Seim and Haltli have collaborated often over the years, and Frode is also a member of Trygve’s “Sangam” ensemble. But the flexible duo format has provided a particularly useful forum for the exploration of the most divergent music – from the Armenian folk song that gives the album its title to free play, from Gurdjieff to Bob Marley’s “Redemption Song”, and new and old tunes by Trgyve - as well as the exploration of sound, the plangent cry of the sax against the accordion’s breathing reeds. The Seim/Haltli duo has been a popular touring unit in recent seasons: this is the first, eagerly-anticipated, recorded documentation of its music.
Pensive though much of Yeraz is, the duo extracts profound beauty out of odd dissonance and unexpected expansions of the two instruments’ capabilities. Like saxophonist Hakon Kornstad, Seim explores new sonorities, but unlike his Norwegian contemporary, Seim remains entirely acoustic, with nary an electronic effect or loop to be found. On a remake of an early Seim composition, the title track to Airamero… Haltli bends notes, creates lush, swelling chords and high-pitched harmonics that, in their close harmonic density, imply a seemingly impossible microtonality. The disc has an overriding arc, gradually moving from brooding introspection to quietly joyous optimism.
John Kelman, All About Jazz
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