CD ECM Records Stephan Micus: Implosions

1977

Stephan Micus - Sitars, Acoustic Guitar, Vocal, Bavarian Zithers, Shakuhachi, Sho, Thai Flute, Rabab

ecmreviews :

Although Micus has most often crafted albums at his home studio and sent them to Eicher for mixing and mastering, earlier ones such as this were recorded at Tonstudio Bauer in Ludwigsburg, Germany, where many of ECM’s formative releases were also realized. The studio dynamics imbue these travels with a rather different intimacy, one which brings its own climate and bounces back sunlight like the moon. Three Bavarian zithers, each with its own signature, form a dense and percussive bed for Micus’s singing in “Borkenkind.” His floating transpositions trail sutras of memory, spinning from them a yarn of forgetting. This becomes the sole purpose of the music: to detach oneself from the snares of fame and recognition until only the sound and the ear are left to dance unhindered. And indeed, when Micus sings again in “For M’schr And Djingis Khan,” accompanied by the uncut diamond of the rabab (Afghani lute), he balances on a tipping point into infinity, his mouth filled with empty pages.

Even when he doesn’t sing, his heart resounds through the four shakuhachi of “Amarchaj,” each chamber a bird with its own ritual warble, threading clouds to their shadows on earth below. This leaves only the Thai flute of “For The ‘Beautiful Changing Child’” to cast itself into an ocean without language. Lifted by three shō (Japanese mouth organs), it resists even these words struggling to catch it, riding the waves from one dawn to the next, waiting for my well to run dry.