CD ECM Records Kim Kashkashian, Till Fellner - Thomas Larcher: Madhares
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Till Fellner - pian
Kim Kashkashian - viola
Thomas Larcher - pian
Quatuor Diotima :
Naaman Sluchin - vioara
Yun Peng Zhao - vioara
Frank Chevalier - viola
Pierre Morlet - violoncel
Münchener Kammerorchester, dirijor Dennis Russell Davies
Thomas Larcher :
Bose Zellen ( For Piano And Orchestra )
Still ( For Viola And Chamber Orchestra )
Madhares ( String Qartet No. 3 )
Larcher is an unpredictable, freethinking composer, who has set aside the modernist strictures that have long governed Central European music. … “Böse Zellen” is riveting from start to finish – a sweat-inducing drama in instrumental form. All the works receive immaculate, strongly felt performances. [ Alex Ross, The New Yorker ]
Prezentare generala CD ECM Records Kim Kashkashian, Till Fellner - Thomas Larcher: Madhares
2010
Till Fellner - pian
Kim Kashkashian - viola
Thomas Larcher - pian
Quatuor Diotima :
Naaman Sluchin - vioara
Yun Peng Zhao - vioara
Frank Chevalier - viola
Pierre Morlet - violoncel
Münchener Kammerorchester, dirijor Dennis Russell Davies
Thomas Larcher :
- Bose Zellen ( For Piano And Orchestra )
- Still ( For Viola And Chamber Orchestra )
- Madhares ( String Qartet No. 3 )
The creative output of Austrian composer (and pianist) Thomas Larcher (born 1963) whom the London Times recently called “a musical talent of unbounded sensitivity and distinction bound for 21st- century glory” has been championed on ECM New Series since 2001. Last fall Larcher’s piano piece “What becomes” attracted wide-spread attention when premiered on Leif Ove Andsnes’ international tour with the project “Pictures, Reframed” in which musical performances were juxtaposed with video images by concept artist Robin Rhode. In the Daily Telegraph Ivan Hewett spoke of “a real 21st- century picture of childhood, rudely energetic and unsentimental”. “Madhares”, the thrid release dedicated exclusively to Larcher’s works, assembles some of the finest ECM musicians such as Kim Kashkashian, Till Fellner and the Munich Chamber Orchestra conducted by Dennis Russell Davies to present a gripping cross-section of Larcher’s recent orchestral output, enhanced by the third string quartet “Madhares” which is played by the youthful French Quatuor Diotima. Larcher’s recent pieces are marked by intense sonic imagination, great rhythmic energy and a virtuoso impact that makes for an immediately rewarding listening. In the upcoming months his music will be performed in musical centers such as Amsterdam, London, Heimbach chamber music festival (composer in residence) and many more.
* * *
Neue Zeitschrift für Musik, Empfehlung
This is deep, profound and at times uncompromisingly personal music, but it makes for a riveting listening experience and fully justifies Larcher’s growing reputation as a composer of real individuality and mastery of his craft.
Marc Rochester, International Record Review
Larcher is an unpredictable, freethinking composer, who has set aside the modernist strictures that have long governed Central European music. … “Böse Zellen” is riveting from start to finish – a sweat-inducing drama in instrumental form. All the works receive immaculate, strongly felt performances.
Alex Ross, The New Yorker
His communicative music is one of this century’s wonders. The CD’s title is borrowed from a recent work for string quartet… It’s a work of haunting landscapes and dreams, stylistically disparate but fused by the composer’s astonishing ear and quizzical attitude to traditional forms. Classical music’s past looms larger still in “Böse Zellen”, a concerto of sorts for piano and orchestra, alternately teasing disturbing. … “Still”, for viola and chamber orchestra, plays its own imaginative games with music’s history. Both pieces feature the Munich Chamber Orchestra and the conductor Dennis Russell Davies, ideal for adventurous repertoire.
Geoff Brown, The Times
This world premiere recording of his String Quartet No 3, minutely detailed in its multiplying patterns and crazily interweaving motifs, shows him at his best. Inspired by the White Mountains of western Crete, it glistens with strange effects and bursts of melody. … Two other contrasting works feature pianist Fellner and viola player Kashkashian. All told, a bracing, exhilarating way to discover Larcher.
Fiona Maddocks, The Observer
Larcher’s music is distinctly different from that of any of his near contemporaries. As these three works from the last decade show, Larcher ranges very widely in his influences, and most often well away from the mainstream of European music in the last 30 years.
Andrew Clements, The Guardian
At the heart of Thomas Larcher’s music is an intriguing conflict. He has a fabulous ear for unusual sonorities, which he fashions into surprisingly logical narratives; yet at pivotal moments he uses a more traditional, tonal, almost Romantic expression. … Like many composers today he attempts to reconcile a modernist aesthetic with an older musical heritage, creating a fascinating mix. … Böse Zellen, in particular, is a truly original work, vigorously performed and captured in flawless sound.
Neil Smith, BBC Music Magazine
The music of Tirolean composer Thomas Larcher is hauntingly evocative. Still for viola and chamber orchestra refers both to the idea of stillness and to a frozen video image that can reveal unsuspected details. It is unexpected and welcome to discover a viola pieces not only not elegiac, but in which the viola initiates two tremendous escalations of intensity. Kim Kashkashian declaims the solo part with the utmost eloquence, backed to the hilt by the crack band. … ECM´s recording – a pleasure in itself – captures the players’ every nuance.
Carlos Maria Solare, The Strad
Thomas Larcher´s Viola Concerto and his extraordinary String Quartet No. 3 shows that the Austrian composer can write for strings in a way that materially broadens musical horizons by arming these works to the teeth with angular expressive intensity and a myriad of sonic artifacts. … The Third Quartet is a masterpiece of invention and design that comes alive as the players, both singly and together, slink into and inhabit Larcher´s musical dimensions and expanding sense of time.
L.V., Strings
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