CD ECM Records Iro Haarla: Vespers
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Iro Haarla - pian, harpa
Mathias Eick - trompeta
Trygve Seim - saxofoane
Uffe Krokfors - contrabas
Jon Christensen - tobe
Six years after the much-loved “Northbound” – described by All About Jazz as “lovely, articulate, river-deep music” -, a new album of emotionally-powerful ballads from outstanding composer-pianist-harpist Iro Haarla and her remarkable Finnish-Norwegian ensemble. The line-up is unchanged, likewise the commitment of the players, top-flight improvisers, every one. “Vespers” continues a tradition of music - and a scope feeling - that Iro helped establish in the Far North in her years as composer/arranger/orchestrator for Edward Vesala’s bands (and magical ECM recordings including “Lumi”, “Ode To The Death Of Jazz”, “Invisible Storm” and “Nordic Gallery”). Iro has, furthermore, composed music for the UMO Jazz Orchestra (in 2002 for Tomasz Stanko as soloist, and in 2006 for a “UMO plays Haarla” event in Helsinki and for a suite of pieces premiered in Tampere). In 2008, at the instigation of Manfred Eicher, she premiered new music for string quartet and piano and harp in Helsinki.
Prezentare generala CD ECM Records Iro Haarla: Vespers
2011
Iro Haarla - pian, harpa
Mathias Eick - trompeta
Trygve Seim - saxofoane
Uffe Krokfors - contrabas
Jon Christensen - tobe
Six years after the much-loved “Northbound” – described by All About Jazz as “lovely, articulate, river-deep music” -, a new album of emotionally-powerful ballads from outstanding composer-pianist-harpist Iro Haarla and her remarkable Finnish-Norwegian ensemble. The line-up is unchanged, likewise the commitment of the players, top-flight improvisers, every one. “Vespers” continues a tradition of music - and a scope feeling - that Iro helped establish in the Far North in her years as composer/arranger/orchestrator for Edward Vesala’s bands (and magical ECM recordings including “Lumi”, “Ode To The Death Of Jazz”, “Invisible Storm” and “Nordic Gallery”). Iro has, furthermore, composed music for the UMO Jazz Orchestra (in 2002 for Tomasz Stanko as soloist, and in 2006 for a “UMO plays Haarla” event in Helsinki and for a suite of pieces premiered in Tampere). In 2008, at the instigation of Manfred Eicher, she premiered new music for string quartet and piano and harp in Helsinki.
Haarla’s piano work is, as ever – and like her quintet’s – the epitome of economy, never playing a series of chord when one beautifully ambiguous one will do, but it’s her unparalleled harp work that gives much of her music ist sweeping sense of the cinematic. Vespers is the perfect follow-up, one which caitapizes on both the strength of Haarla’s compositional conception and the stunning perfection of a group of distinct and individual voices – most, leaders in their own right – who join together to create a collective sound truly like no other.
John Kelman, All About Jazz
Haarla’s aesthetic is quintessentially Nordic in its lyric starkness and autumnal solemnity. But her harmonic language, in its subtly discordant voicings, is distinctive, and so is her willingness to leave her emotional and spiritual ambiguities unresolved. Few jazz artists are as successful as Haarla in creating a world, a scope of feeling, and making it their own.
Thomas Conrad, Jazztime
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