CD ECM Records Enrico Rava Quartet, Gianluca Petrella: Wild Dance
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Enrico Rava - trompeta
Gabriele Evangelista - contrabas
Enrico Morello - tobe
Gianluca Petrella - trombon
Enrico Rava, the great Italian jazz trumpeter, sifted through avant-swing, improv and experimental crossovers for years, then discovered Michael Jackson in his 70s, and devoted an utterly personal tribute album to him in the company of younger partners. ‘Wild Dance’ is similarly cross-generational, with an expanded Rava road band, fronted for the occasion by the leader’s trumpet paired with the trombone of Gianluca Petrella, a supple maestro of voicelike long tones, bebop intricacies and inbuilt swing. Rava’s Miles-inspired lyricism and tone control on slow music often takes centre stage in his work, but […] the blurted Ornette Coleman-like flurries of ‘Infant’ or ‘Happy Shades’, the guitar-driven swinger ‘Cornette’, or the soft bop ‘F Express’, over the excellent Enrico Morello’s bustling brushwork, represent effortlessly inventive uptempo jazz playing. [ John Fordham, The Guardian ]
Prezentare generala CD ECM Records Enrico Rava Quartet, Gianluca Petrella: Wild Dance
2015
Enrico Rava - trompeta
Gabriele Evangelista - contrabas
Enrico Morello - tobe
Gianluca Petrella - trombon
A cross-generational project by the grand master of Italian Jazz. Energized by joyous experiences on the road the ever youthful Enrico Rava took his new working quartet of the last two years into Arte Suono Studio in Udine. Here they were joined by trombonist Gianluca Petrella, an internationally noted player through his contributions to Rava’s three acclaimed post-millennium quintet albums Tribe (2011), The Words & The Days (2005) and Easy Living (2003). With Manfred Eicher producing, the five Italians recorded a programme of Rava originals which cover a broad range of moods – from brooding ballad playing to fiery uptempo post-bop. Once again Rava’s playing makes it clear that lightness and intensity, elegant cool and emotional warmth are no opposites. Rava and Petrella form a peerless two-horn frontline, whether playing in unison, engaging in dialogue or taking their turns in extensive soloing. The rhythm section of Gabriele Evangelista, Enrico Morello, (“in my opinion the number one drummer in Italy today”, says Rava) and guitarist Francesco Diodati give them both space and assured support.
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Enrico Rava, the great Italian jazz trumpeter, sifted through avant-swing, improv and experimental crossovers for years, then discovered Michael Jackson in his 70s, and devoted an utterly personal tribute album to him in the company of younger partners. ‘Wild Dance’ is similarly cross-generational, with an expanded Rava road band, fronted for the occasion by the leader’s trumpet paired with the trombone of Gianluca Petrella, a supple maestro of voicelike long tones, bebop intricacies and inbuilt swing. Rava’s Miles-inspired lyricism and tone control on slow music often takes centre stage in his work, but […] the blurted Ornette Coleman-like flurries of ‘Infant’ or ‘Happy Shades’, the guitar-driven swinger ‘Cornette’, or the soft bop ‘F Express’, over the excellent Enrico Morello’s bustling brushwork, represent effortlessly inventive uptempo jazz playing.
John Fordham, The Guardian
Enrico Rava has cut many gorgeous albums. This ranks very highly among them. Bar one collective improvisation, trumpeter Rava composed all the tracks, demonstrating command of a considerable range of moods and forms. The playing is often sensitive and delicate yet emotionally fullbodied, and when the band cuts loose it’s powerfully direct.
Barry Witherden, BBC Music Magazine
There is strong cohesion and purpose in the group’s sound. Guitarist Francesco Diodati’s subtle accompaniments leave the harmony more open than would a piano, recalling Rava’s classic ECM releases of the late 1970s with guitarist John Abercrombie, and Petrella’s trombone provides a subtle foil to the leader’s horn. A master of haunted space, artfully blurring the lines between form and formlessness.
Cormac Larkin, Irish Times
It is striking how a guitar changes the atmosphere of a Rava ensemble. There is much more open space. Diodati does not so much accompany Rava as array shifting backgrounds containing strands of independent thought and pools of light. Rava is clearly inspired. […] His lines are like no other trumpeter’s. He thinks in seemingly autonomous fragments, but then finds relationships among them and juxatposes them into large designs.
Thomas Conrad, Jazz Times
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