CD ECM Records David Torn: Prezens
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David Torn - chitara, electronice
Tim Berne - saxofon alto
Craig Taborn - claviaturi, melotron
Tom Rainey - tobe
Matt Chamberlain - tobe
Break out the headphones. The digital manipulation trip that David Torn has designed for his first ECM disc in two decades is one of those wildly evocative expeditions that demands a comfy chair, an hour’s-worth of solitary time, and the will to follow the music’s wonderfully disturbing soundscapes to spots that live somewhere between the rainbow bridge and the gates of hell.
Prezentare generala CD ECM Records David Torn: Prezens
2007
David Torn - chitara, electronice
Tim Berne - saxofon alto
Craig Taborn - claviaturi, melotron
Tom Rainey - tobe
Matt Chamberlain - tobe
Jim Macnie, DownBeat
"Break out the headphones. The digital manipulation trip that David Torn has designed for his first ECM disc in two decades is one of those wildly evocative expeditions that demands a comfy chair, an hour’s-worth of solitary time, and the will to follow the music’s wonderfully disturbing soundscapes to spots that live somewhere between the rainbow bridge and the gates of hell. This is the guitarist at his most cinematic and provocative. … Torn “Frankensteins” his own styles, concocting unholy blends that examine the poetic side of cognitive dissonance. It’s fierce, and takes you far away."
Pitchfork:
"Has there ever been a guitar hero with a more misleading moniker than David Torn? With his violent, evocative surname, you expect Torn to really shred, to take that fretboard and rip it to pieces. And he does that, but not the way you might expect. His is a more considered virtuosity, a style that stresses mood and amorphous cloud technique over light-speed pyrotechnics. Torn doesn't rip. He weaves, he pulls, he draws.
"Why would a first-rate guitarist want to sound like a third-rate saxophonist?" someone once asked, rhetorically, of guitar-synth whiz Alan Holdsworth. While no less adept at transforming his axe into something else, Torn has taken a more tasteful tack. He comes from the Robert Fripp and Michael Brook school of style and discipline, which is why his playing has been enlisted so often as backdrops for film scores and for experimental-minded pop stars like David Sylvian and Bowie."
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