CD ECM Records Art Ensemble Of Chicago: The Third Decade
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Art Ensemble Of Chicago :
Joseph Jarman - saxofone, clarinet, flaute, scoici, vibrafon, gonguri, congas, voce
Roscoe Mitchell - saxofoane, flaute, oboi, clarinet, gonguri
Malachi Favors Maghostut - contrabas, percutie, melodica
Famoudou Don Moye - percutie solara
Lester Bowie - trompeta, celsta, toba mare
ecmreviews.com:
"Drawn from a wealth of sources and enhanced with the usual assortment of found sounds, The Third Decade is another solid outing from the Art Ensemble of Chicago that would be the group’s last on ECM for another seventeen years. One can always expect an eclectic experience on any AEC joint, and this one doesn’t disappoint.
From the snaking synthesizer lines and various nocturnal rustlings of Joseph Jarman’s “Prayer For Jimbo Kwesi,” which sound for all like the soundtrack to a home movie version of 2001: A Space Odyssey, to the freely improvised and maddening (traffic) jam of the title track, there’s bound to be something for everyone. The former, with its subtle horns and nascent bass, is especially fascinating and showcases the AEC’s ability to sustain itself through long, ponderous distances with unwavering interest.
Prezentare generala CD ECM Records Art Ensemble Of Chicago: The Third Decade
1985
Joseph Jarman - saxofone, clarinet, flaute, scoici, vibrafon, gonguri, congas, voce, sirena, claxoane, sintetizator
Roscoe Mitchell - saxofoane, flaute, oboi, clarinet, gonguri, tigai, sirene, claxoane, bucati de lemn
Malachi Favors Maghostut - contrabas, percutie, melodica, bas electric, cinele, belafon
Famoudou Don Moye - percutie solara, claxoane, fluiere, belafon
Lester Bowie - trompeta, celsta, toba mare, flugelhorn
ecmreviews.com:
"Drawn from a wealth of sources and enhanced with the usual assortment of found sounds, The Third Decade is another solid outing from the Art Ensemble of Chicago that would be the group’s last on ECM for another seventeen years. One can always expect an eclectic experience on any AEC joint, and this one doesn’t disappoint.
From the snaking synthesizer lines and various nocturnal rustlings of Joseph Jarman’s “Prayer For Jimbo Kwesi,” which sound for all like the soundtrack to a home movie version of 2001: A Space Odyssey, to the freely improvised and maddening (traffic) jam of the title track, there’s bound to be something for everyone. The former, with its subtle horns and nascent bass, is especially fascinating and showcases the AEC’s ability to sustain itself through long, ponderous distances with unwavering interest.
“Funky AECO” is just that, though always tempered by the percussive oddities that are the AEC’s trademark, and ever enlivened by inner fire. And speaking of fire, Lester Bowie positively dances on it here, carrying through his playing just the sort of uplift for which he will always be missed. Roscoe Mitchell counters with two mysterious constructions of his own, “Walking In The Moonlight” and “The Bell Piece,” each a link in a chain of good humor and transcendence. Bowie’s “Zero” is a more straight-laced affair and shows the AEC at its crowd-pleasing best."
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