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Discount MARE CD ECM Records Andras Schiff / Peter Serkin - Mozart / Reger / Busoni: Music for Two Pianos
ECM Records

CD ECM Records Andras Schiff / Peter Serkin - Mozart / Reger / Busoni: Music for Two Pianos

Cod produs: CD1676-77
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1999

Andras Schiff - pian
Peter Serkin - pian

ECM débuts for two of the greatest pianists of our time, artists of personal vision very seldom heard - as they are here - as piano duo. Recorded after an American tour in 1997, Schiff and Serkin deliver a programme that is in itself a kind of 'art of fugue', beginning and ending with Mozart and embracing fugal compositions by Reger and Busoni. Serkin's rigorous asceticism and Schiff's elegant poetic touch are brought to bear on these works, as the players investigate the essential qualities of the music. A fascinating issue.

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Prezentare generala CD ECM Records Andras Schiff / Peter Serkin - Mozart / Reger / Busoni: Music for Two Pianos

1999

Andras Schiff - pian
Peter Serkin - pian

An outstanding and unusual recording, marking the ECM New Series débuts of two very exceptional musicians.

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András Schiff and Peter Serkin, friends for many years, have not often been duo partners, although they have made music together in other contexts (recent instances including performances of Bach's Double and Triple Concertos for Keyboard with the Camerata Bern.) In 1997, however, they undertook a brief North American tour together, preparing the material that they would record at the American Academy of Arts and Letters in New York of November of that year. A concert at the Metropolitan Museum of Modern Art brought forth a review from Bernard Holland in the New York Times, sub-headed "Proof that piano duos can be saved from marginality", suggesting it is precisely the strongly contrasting styles of these players - "poetic" is an adjective most often applied to Schiff's touch, while Serkin is frequently described as "austere" - that elevates their interpretations far above the congruent congeniality we associate with "the piano duo" as a fixed entity.

"[Where such] attractive musical couples entertain us, sometimes with clattering good cheer, almost always with a ghostly talent for togetherness, Mr Schiff and Mr Serkin, who are occasional partners at best, pointed out a number of things that their colleagues seem to lack, one being the subtlety and precision of true virtuosity, another being the sophisticated devotion to making heard what is naturally difficult to hear....Mr Serkin's rigorous asceticism in which clarity of sound takes precedence over beauty, is quite a distance from Mr Schiff's ever-thoughtful elegance." It can however be said that both players dispense entirely with the mannered gesture; from their differing standpoints they investigate the essential qualities of the music: "Shared was a single, consuming inquiry into how these pieces were made and what they say. Shared, too, the kind of enlightened caring that allowed separate contrapuntal strands within convoluted texture to have their own place and meaning...Mozart's D major sonata conveys a maximum of charm, the Reger and Busoni pieces are grand dramatic structures, the first with its Romantic tone and slippery harmonies, the second with a stony and impressive amalgam of Baroque and 20th-century rigour. Mr Schiff and Mr Serkin were as powerful in these two pieces as they were delightful in the sonata."

In his liner notes for "Music for Two Pianos", Klaus Schweizer looks at inter-relationships between the pieces, viewing Schiff and Serkin's concise programme of music by Mozart, Reger and Busoni as "a kind of Kunst der Fuge" in itself, "a three-fold attempt to direct the gaze, from changing points of view, at Bach, arguably the most inventive 'fugue maker' of all times. .. And the Mozart sonata, following the three fugue works, offers a new hearing experience...it radiates an overwhelming lightness and grace, temperament and esprit."

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