CD ECM Records Andras Schiff - Franz Schubert
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Ungarische Melodie in h-Moll D 817
Franz Schubert - Sonate in G-Dur D 894 (op.78)
Franz Schubert - Moments musicaux D 780 (op.94)
Allegretto in c-Moll D 915
Franz Schubert - Vier Impromptus D 935 (op.142)
Franz Schubert - Sonate in B-Dur D 960
Try the exquisite Alegretto in C minor, D915, once memorably recorded by Schnabel, for a vivid sample of the world of sound that the Brodmann opens up (disc 2, tr I); or the first movement of the B flat major Sonata, D960, for a picture of how it matches the ambition of Schubert’s writing on the broadest scale (disc 2, tr 6). […] I cannot think of anyone of his caliber who has mastered the fortepiano as well as the modern piano and shown such distinction on both. In Schubert he has a claim to be considered sovereign among today’s players, carrying forward the reading and interpretation of him into areas that others have not fully explored.
[ Stephen Plaistow, Gramophone, Editor’s Choice ]
Prezentare generala CD ECM Records Andras Schiff - Franz Schubert
Andras Schiff - Fortepiano
Ungarische Melodie in h-Moll D 817
Franz Schubert - Sonate in G-Dur D 894 (op.78)
Franz Schubert - Moments musicaux D 780 (op.94)
Allegretto in c-Moll D 915
Franz Schubert - Vier Impromptus D 935 (op.142)
Franz Schubert - Sonate in B-Dur D 960
Try the exquisite Alegretto in C minor, D915, once memorably recorded by Schnabel, for a vivid sample of the world of sound that the Brodmann opens up (disc 2, tr I); or the first movement of the B flat major Sonata, D960, for a picture of how it matches the ambition of Schubert’s writing on the broadest scale (disc 2, tr 6). […] I cannot think of anyone of his caliber who has mastered the fortepiano as well as the modern piano and shown such distinction on both. In Schubert he has a claim to be considered sovereign among today’s players, carrying forward the reading and interpretation of him into areas that others have not fully explored.
Stephen Plaistow, Gramophone, Editor’s Choice
The clincher is the way that Schiff evinces the charm of pieces like the ‘Sonata in G major’ and the ‘Moments Musicaux’ without slipping into the sentimentality so often afflicting Schubert performances.
Andy Gill, The Independent
The sounds here are unexpected. His fortepiano is an 1820 instrument by the Viennese maker Franz Brodmann, notable for its mellow timbres in the middle octaves and easy touch. Schiff, a self-confessed period-instrument convert, returns to the great G and B-major sonatas, the second set of impromptus and Moments Musicaux, making them sound hot off the press, fresh and new.
Hugh Canning, Sunday Times
Schiff opts for an 1820 Brodmann instrument (his own, housed in Bonn’s Beethoven-Haus where these recordings were made), and it sounds glorious: its tone and action seem ideally to suit these works.
Guy Weatherall, Classical Music
He now owns an 1820 instrument by Franz Brodmann and on this two-disc set, recorded in the Beethoven-Haus in Bonn, shows how its muted, delicate sound can transform a modern listener’s experience of Schubert. Two of the piano sonatas, the G Major, D894, and the late B Flat, D960, speak to us as if in an intimate tête-à-tête. The ‘Moments Musicaux’, D780, and the Four Impromptus, D935, smile with informal grace.
Richard Fairman, Financial Times
We range from the raptly unassuming (the B minor Hungarian Melody, the wondrous Moments musicaux) to the peaks of two of Schubert's greatest sonatas. […] Riches are many, from the deep bass lines underpinning the Second Impromptu to the unerring way the two sonatas unfold – the closing movement of the G major Sonata is a particular highlight. If others find more raptness in the slow movement of the mighty B flat major Sonata, his way with the otherworldly Scherzo is joyous.
Harriet Smith, Sinfini Music
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