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CD ECM Records Andras Schiff - Bach: Goldberg Variations

Cod produs: CD1825
Pret: 70 RON
  • 24 luni
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Andras Schiff - Piano

Bach - Goldberg Variations BWV 988

Like Glenn Gould before him, András Schiff waited 20 years to revisit the Goldberg Variations. Unlike Gould, whose mannerisms grew more baroque than the work itself through the intervening decades, his second interpretation presents the Variations with as little interference as possible. Does this mean that “all” Schiff does is play the notes in front of him? No. The minute alterations of emphasis and articulation within each variation represent years of observation; the kind of study intrinsic to a proper exposition of the topology of Bach’s thematic revolution. … “Great” is not a word to be used casually when it comes to CDs, but no other term does justice. Lucidity, elegance and strength are all here and exquisitely balanced. The definitive Goldberg? As far as I’m concerned, yes. [ Ann Picard, Independent on Sunday ]

Prezentare generala CD ECM Records Andras Schiff - Bach: Goldberg Variations

Andras Schiff - Piano

Bach - Goldberg Variations BWV 988


András Schiff returns to the Goldberg Variations in what will be regarded as one of the classical music events of the year. Two decades after his acclaimed account of the Variations for Decca, Schiff documents Bach’s towering masterpiece again, this time in a live recording for ECM New Series. As the New York Times said, “Mr Schiff is, in Bach, a phenomenon. He has quite simply internalized this music. He doesn’t so much perform it as emit, breathe it.” The fluency of the playing in this concert recording from Basel is quietly astonishing, the technical demands of the work transcended with uncanny gracefulness.

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Gramophone, Editor’s Choice
Répertoire, Le Disque du mois

Like Glenn Gould before him, András Schiff waited 20 years to revisit the Goldberg Variations. Unlike Gould, whose mannerisms grew more baroque than the work itself through the intervening decades, his second interpretation presents the Variations with as little interference as possible. Does this mean that “all” Schiff does is play the notes in front of him? No. The minute alterations of emphasis and articulation within each variation represent years of observation; the kind of study intrinsic to a proper exposition of the topology of Bach’s thematic revolution. … “Great” is not a word to be used casually when it comes to CDs, but no other term does justice. Lucidity, elegance and strength are all here and exquisitely balanced. The definitive Goldberg? As far as I’m concerned, yes.
Ann Picard, Independent on Sunday

Since no great artist stands still, Schiff has now issued another performance of the Goldberg Variations. … This is a recording from a concert in Basel, October 2001, and the shapes, the contrasts, and silences Schiff brings to the aria and its 30 variations very much suggest a living organism. We don’t hear Schiff’s breathing, but we certainly hear Bach’s as his spins the theme into brilliant cascades, gentle musings, or intricate canons. What Landowska called the “black pearl” variation, the sombre 25th, provides the emotional climax, as it should; but the set is still governed by Schiff’s light wit, his delight in Bach’s genius, and the joy of a pleasure being shared.
Geoff Brown, The Times

Schiff is the master colourist who, like Glenn Gould in his later Sony recording, achieves impressive continuity between variations. Contrasts, too and never more so than in the sequence of variations Nos 20 to 22, taking us from brilliantly realised syncopations, to a glowering canon in sevenths then dipping suddenly for the intimate “stile antico” of the four-part 22nd variation. … As for overall style, repeats are often embellished, sometimes radically varied, such as the underlined counterpoint of No 8’ s first repeat and the shift from staccato to legato in No. 11. … This is a fascinating, beautiful, deeply pondered and profoundly pianistic “Goldbergs”, and while not “authentic” in the accepted scholarly sense, it is appreciative of Baroque manners and ornamentation.
Rob Cowan, Gramophone



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