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Deutsche Grammophon (DG)

CD Deutsche Grammophon (DG) Wagner: Tristan Und Isolde ( Bohm - Nilsson, Windgassen, Ludwig, Talvela ) CD + BluRay Audio

Cod produs: ref.40600
Pret: 199 RON
  • 24 luni
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1966 ( Birgit Nilsson, Wolfgang Windgassen, Christa Ludwig, Orchester Der Bayreuther Festspiele, dirijor Karl Bohm )

Live recording from the 1966 Bayreuth Festival.

3CDs + 1 Blu-ray Audio presenting the complete opera in 24-bit Hi-Res Audio.

Includes 30 minutes of footage of “Karl Böhm in Rehearsal”.

124pp booklet with original essay “Thoughts on the Mythical Element in Wagner’s Tristan und Isolde” by Wieland Wagner.

The warrior woman of opera . . . Soprano Birgit Nilsson . . . was the great Valkyrie of her time -- a warrior woman whose steely voice sliced thrillingly through the vast orchestral thickets of Wagnerian music drama, carrying to the last row of any opera house in which she sang. She excelled at the larger-than-life heroines of Wagner and Richard Strauss -- the young goddess Brunnhilde in the "Ring" cycle, the princesses Isolde, Salome and Elektra in the operas that bear their names. The works made full use of her extraordinary stamina, spot-on intonation and fearless, gleaming high notes. Yet she also distinguished herself in more intimate material, such as Donna Anna in Mozart's "Don Giovanni," in Scandinavian folk music and in the songs of Grieg and Sibelius.
Miscellaneous / TIM PAGE, Washington Post

Prezentare generala CD Deutsche Grammophon (DG) Wagner: Tristan Und Isolde ( Bohm - Nilsson, Windgassen, Ludwig, Talvela ) CD + BluRay Audio

inregistrare din 1966
Interpreteaza:

Birgit Nilsson - Isolde
Wolfgang Windgassen - Tristan
Christa Ludwig - Brangane
Claude Heater - Melot
Martti Talvela - Konig Marke
Eberhard Waechter - Kurwenal

Orchester Der Bayreuther Festspiele, ( dirijor Karl Bohm )

 

Related image

Live recording from the 1966 Bayreuth Festival.

3CDs + 1 Blu-ray Audio presenting the complete opera in 24-bit Hi-Res Audio.

Includes 30 minutes of footage of “Karl Böhm in Rehearsal”.

124pp booklet with original essay “Thoughts on the Mythical Element in Wagner’s Tristan und Isolde” by Wieland Wagner.

“It is Böhm’s incandescent reading of the score and the unrivalled playing by the Bayreuth orchestra that makes this such a gripping experience.” - Daily Telegraph

“Captured live at Bayreuth, here’s a Tristan that seethes with passion. Böhm is magnificent in the pit, dramatic and vital, and Windgassen and Nilsson are quite simply glorious in the title roles.” - Gramophone Magazine

* * *

Review by Charles E. Muntz

Recorded live at the Bayreuth Festival in 1966, this performance became an instant classic when it was released. The spearhead of the cast is the great Birgit Nilsson, who brings an incredible intensity to the performance, from the terrifying curse in act 1 to the tear-wrenching Liebestod at the conclusion. Nowhere in the opera does she show signs of vocal strain or squalliness, something few, if any, of her successors can claim. Her performance rivals that of Kirsten Flagstad, who recorded it with Furtwängler in 1952.

As her Tristan she has the 52-year-old Wolfgang Windgassen. His voice lacks the heroic ring the part demands, but he sings excellently and gives a fine poetic and dramatic performance that leaves little to be desired. His long solo scenes in the third act are particularly impressive.

The minor roles are all superbly filled. Christa Ludwig is the classic Brangäne, certainly better than Thebom for Furtwängler. Martti Talvela is a noble, committed Marke who actually makes the character interesting and poignant. Eberhard Wächter sings Kurwenal with ringing conviction.

Karl Böhm gives a very exciting reading. Speeds are quite fast--fast enough that the recording fits on three discs. At times though, one wishes that Böhm would let the tension slacken and bring out some of the poetry in the score--parts of the act 2 love duet come to mind. And sometimes some of the power of the music seems passed over, something that Solti or Furtwängler seem to have a better understanding of.

The Bayreuth Orchestra plays excellently. Like the Ring from 1967, the sound tends to lack detail, and the brass could be a bit better, but all in all it is very fine. This recording is definitely one of the great Wagner recordings of all time--ranking with Solti’s Ring and the Melchior/Walter recording of Walkure Act 1. It is preferable by a slim margin over Furtwängler’s reading with Flagstad, although any lover of this work will have both.

 

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