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Muzica CD

CD ECM Records Nik Bartsch's Ronin: Live

2007

Nik Bartsch - pian
Sha - bas clarinet, contrabas clarinet, alto saxofon
Bjorn Meyer - bas
Kaspar Rast - tobe
Andi Pupato - percutie

Ronin around the world: a powerful and atmospheric concert recording with music captured in Germany, Austria, Holland, England, and Japan, a double-album which transmits the live impact of Nik Bärtsch’s band and its enveloping modular groove music of interlocking rhythms. It’s also a set that marks the end of an era and the transition into a new one. These are the last recordings of Ronin with Björn Meyer’s elegantly-leaping bass guitar as one of the lead voices, and Bärtsch views the album as partly a tribute to Meyer’s long tenure with the band. New bassist Thomy Jordi, meanwhile, makes an impressive entrance on “Modul 55”, but it’s most often the whole band, as a unified field of force, that commands the listener’s attention.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Ketil Bjornstad: Remembrance

2010

Ketil Bjørnstad - pian
Tore Brunborg - saxofon tenor
Jon Christensen - tobe

Remembrance is in effect a suite of eleven untitled pieces, each one seemingly spun and spun from a melodic or harmonic motif, a succession of moods whose density and intensity is decided by the inspiration of the moment. It is an absorbing musical journey which makes its impact in its totality rather than in isolated episodes – each one being a continuation or development, a juxtaposition or a contrast that leads the listener deeper into Bjørnstad’s compelling musical world.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ACT Lars Danielsson: Liberetto

2011
Lars Danielsson - contrabas, violoncel, pian
Tigran Hamasyan - pian, Fender Rhodes
John Parricelli - chitara
Magnus Ostrom - tobe, percutie, electronice

Happy coincidences can often lead to extraordinary results. No-one could have foreseen that Lars Danielsson and the Armenian pianist Tigran would pair up to form the new dream duo of the European jazz scene, when in fact the two musicians played their first concert together only one week before the scheduled recordings of Liberetto.

  • Numar discuri: 1
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

Pret: 75          

CD ECM Records Ralph Towner, Gary Burton: Matchbook

Ralph Towner - chitara clasica si double-six
Gary Burton - vibraharp

An album-of-the-year in US magazine High Fidelity and recipient of a 5-star review in Down Beat, Towner and Burton’s Matchbook stands up today as a timeless instance of the art of the duo, its vibrant spontaneity still alluring. The wide-ranging repertoire includes Ralph Towner’s classic tune ”Icarus”, Charles Mingus’s farewell to Lester Young, “Goodbye Pork Pie Hat”, and Leonard Bernstein’s “Some Other Time” (“a meticulously plotted melody that spurs some of the record’s loveliest interaction” – Down Beat).

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  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Keith Jarrett: Facing You

1971 - Keith Jarrett, pian solo

AllMusicGuide:

"Facing You is one of the most important recordings in contemporary jazz for several reasons, aside from being beautifully conceived and executed by pianist Keith Jarrett. It is a hallmark recording of solo piano in any discipline, a signature piece in the early ECM label discography, a distinct departure from mainstream jazz, a breakthrough for Jarrett, and a studio prelude for his most famous solo project to follow, The Koln Concert. "

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  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Paul Motian: Conception Vessel

1972

Paul Motian - percutie
Keith Jarrett - pian, flaut
Charlie Haden - contrabas
Sam Brown - chitara
Leroy Jenkins - vioara
Becky Friend - flaut

With ECM’s encouragement drummer Paul Motian takes his first steps as project leader and composer, and an extraordinary album is realized.

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  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Trio Music: Live in Europe

1986

Chick Corea - pian
Miroslav Vitous - contrabas
Roy Haynes - tobe

The revival of Chick Corea’s great 1960s trio with Miroslav Vitous and Roy Haynes was one of the important jazz events of the early 80s. This set, recorded live in Germany and Switzerland in 1984, includes original material by all trio members, standards, and Scriabin’s Prelude Nr. 2.

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  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Louis Sclavis Quintet: Rouge

1991

Louis Sclavis - clarinete, saxofon sopran
Dominique Pifarely - vioara
Francois Raulin - pian, sintetizator
Bruno Chevillon - bas
Christian Ville - tobe


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Clarinettist/saxophonist Louis Sclavis’s first ECM album (recorded 1991) brims over with ideas, creating something fresh at the intersection of jazz and chamber music. Compositions and arrangements on Rouge twist and turn in unexpected ways, keeping listeners on the edge of their seats. With their inspired exchanges at the front of the highly disciplined band on this album, Sclavis and brilliant violinist Dominique Pifarély established themselves as two of the most strikingly original voices on the European improvising scene.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Peter Erskine Trio: Juni

1997

John Taylor - pian
Palle Danielsson - contrabas
Peter Erskine - tobe

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Recorded in 1997, Juni was the fourth and final ECM album of the Peter Erskine Trio. A piano trio led by a drummer was an unusual proposal and one that initially surprised listeners who had followed Erskine through louder adventures with Weather Report and the Stan Kenton Big Band. But this alliance with pianist John Taylor, the trio’s primary composer, and bassist Palle Danielsson soon found its own following. Down Beat described the music as “Zen-like” implying that much of its power resided in the not-played. “If such a thing as virtuosic understatement is possible, Peter Erskine's band makes it real,” the Ottawa Citizen agreed.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Joe Lovano: Trio Tapestry

2019

Joe Lovano - saxofon tenor
Marilyn Crispell - pian
Carmen Castaldi - tobe

The album, produced by Manfred Eicher at New York’s Sear Sound studio, draws upon Lovano’s history and development as a player who has addressed both jazz tradition and exploratory improvisation. “For me this recording is a statement of where I am, where I’ve been and where I may be headed.” In a performer’s note in the CD booklet he says of the recording, “The divine timing of interplay and interaction is magical. Trio Tapestry is a melodic, harmonic, rhythmic musical tapestry throughout, sustaining moods and atmospheres.”

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Yonatan Avishai: Joys And Solitudes

2019

Yonathan Avishai - pian
Yoni Zelnik - contrabas
Donald Kontomanou - tobe



Israeli-French pianist Yonathan Avishai has made important contributions to the music of Avishai Cohen, as documented on Into The Silence and Cross My Palm With Silver. In parallel, over the last five years, he has been developing his own project with the trio heard here, with Paris-based Israeli bassist Yoni Zelnik and Donald Kontomanou, French drummer of Guinean and Greek heritage. Sometimes known as the Modern Times Trio, its programme here opens with Duke Ellington’s “Mood Indigo”: “Ellington is still a thoroughly modern pianist and composer,” Yonathan Avishai muses.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Elina Duni Quartet: Dallendyshe

2015

Elina Duni - voce
Colin Vallon - pian
Patrice Moret - contrabas
Norbert Pfammatter - tobe

Albanian is the softest of spoken languages in the gentle hands of Duni and her light, delicate and wordless vocals on ‘Sytë’ (‘Eyes’) are a sheer delight to hear while on the relaxed feel of the opener, ‘The Partridge’, there is a definite roots folk element in evidence. Elsewhere an a cappella intro on ‘Kur të pashë’ with minimalist accompaniment builds into an intense uptempo number with piano and drums in hot pursuit. Of special note here are the instrumentalists who certainly help to underline the spirit of a song without being merely illustrative and they are to be applauded for their sensitive accompaniment throughout.
Tim Stenhouse, UK Vibe

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Elina Duni Quartet: Matane Malit

2012

Elina Duni - voce
Colin Vallon - pian
Patrice Moret - contrabas
Norbert Pfammatter - tobe

“Matanë Malit” (Beyond the mountain), Elina Duni’s ECM debut, is a homage to Albania. A singer looking at her roots from a present-day vantage point as a musician engaged in improvisational processes. Jazz experience informs her exploration of Balkan folk songs – with attention to atmosphere, the shape of the sound, the tactility of the structures, the implications of the words, … “It’s about serving the song”, she explains, “and about reclaiming and reinventing it.” Duni found her route to Albanian songs after forays into classical music, blues and jazz standards. Digging deeper into the Balkan region’s troubled history, she has uncovered many songs of real beauty and power, older songs from her homeland and from its vast diaspora. “Matanë Malit” includes songs of lovers, heroes, workers, shepherds, exiles, songs of resistance. Traditional songs arranged by Elina Duni, and new music expressively moulded in the tradition.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Elina Duni: Partir

2018

Elina Duni - voce, pian, chitara, percutie

Songs of love, loss and leaving. After two highly acclaimed albums with her jazz quartet, Elina Duni issues her most intimate recording to date. The entirely solo Partir features the Tirana-born vocalist, accompanied by her own piano, guitar and frame drum, interpreting songs from very diverse sources. From folk songs and chansons to songs of singer-songwriters. Here we find traditional music from Albania, Kosovo, Armenia, Macedonia, Switzerland and Arab-Andalusia as well as Jacques Brel’s “Je ne sais pas”, Alain Oulman’s “Meu Amor”, Domenico Modugno’s “Amara Terra Mia”, Elina’s own “Let Us Dive In” and more. Duni’s uniquely-expressive voice and pared-down arrangements locate a common thread of longing that runs through the material. Partir was recorded at Studios La Buissone in the South of France in July 2017, and produced by Manfred Eicher.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Eleni Karaindrou: Music For Films

1991

Once we are aware that certain music has been written for film, it’s easy to wax poetic about said music’s visual associations. Yet I believe that one needn’t be aware of Greek composer Elenei Karaindrou’s filmic motivations in order to feel it in the same way, for hers imagines, recites, and sings the lament of a zeitgeist in decay. [ ecm reviews ]

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Eleni Karaindrou: Dust of Time

ECM’s recordings of Eleni Karaindrou’s music for films have always been more than “soundtracks”: they stand as independent artworks. So it is with the music written originally for Angelopoulos’s “Dust of Time”. In these intensely melodic compositions created from a delicate balance of instrumental colours, violin, cello and harp are especially important, as Karaindrou notes, “not only because of their own distinctiveness but also because of the inner quality of three participating musicians who live in Greece but were born in Rumania and Albania (Sergiu Nastasa, Renato Ripo, Maria Bildea). The flavour of their own musical tradition (tsiganiko) and of a very special inner feeling, permeates their playing. I had the feeling that the accordion had to pervade certain special moments with its colour; and the oboe should add some emotional touches on the canvas of my music.”

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Eleni Karaindrou: Elegy of the Uprooting

2005

In her first concert recording for ECM, Greek composer and pianist Eleni Karaindrou seamlessly weaves samples of her sad but beautiful film and stage music from 13 scores spanning 22 years, producing a stunning career retrospective that transcends genre. The result is a wholly new body of work that she calls Elegy of the Uprooting. It is a remarkable, almost otherworldly, showcase for her intensely moving songs of love and loss.
Greg Cahil, The Absolute Sound

  • Numar discuri: 2
  • Gen muzica: Contemporana

Pret: 105          

CD ECM Records Eleni Karaindrou: Ulisses Gaze

1995

Kim Kashkashian Viola
Vangelis Christopoulos Oboe
Andreas Tsekouras Accordion
Vangelis Skouras Trumpet
Christos Sfetsas Violoncello
Georgia Voulvi Voice
String Orchestra
Lefteris Chalkiadakis Conductor

Ulysses' Gaze was awarded the Grand Jury Prize at the 1995 Cannes Film Festival. Ulysses' Gaze, the album, is the third ECM recording to feature music written by Eleni Karaindrou for her countryman Angelopoulos. The first edition, issued under the title Music For Films focused primarily upon the director's great Trilogy of Silence (Voyage To Cythera, The Beekeeper, and Landscape In The Mist). The second presented music written for The Suspended Step Of The Stork, Angelopoulos' critically-heralded 1991 film.

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Eleni Karaindrou: Eternity And A Day

1998

Music for the Golden Palm winning film by Theo Angelopoulous, writt en by Eleni Karaindrou, whom Time magazine has hailed as 'Greece's most eleoquent living composer'. The worldwide success of Ulysses' Gaze has shown how convincingly Karaindrou's themes can take on a life of their own. Her melodies have been described as 'dark and brooding, redolent of red wine and the salty brine of the sea, at once plaintive and erotically lyrical.' Karaindrou's score for 'Eternity and a Day' makes poetic use of the instruments of Greek folk music, particularly the sound of the clarinet, keening in the mountain air, or hovering over a rich bourdon of strings.

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Eleni Karaindrou: The Suspended Step Of The Stork

1992

Eleni Karaindrou Ensemble
Vangelis Christopoulos Oboe
Nikos Spinoulas French Horn
Christos Sfetsas Cello
Dimitri Vraskos Violin
Ada Rouva Harp
Andreas Tsekouras Accordion
String Orchestra
Lefteris Chalkiadakis Conductor

“How does one leave?”

This question haunts The Suspended Step Of The Stork, Part I of Theo Angelopoulos’s “Borders” trilogy. A film of subcutaneous power, it finds beauty where there is suffering, stark yet foggy, as if through tearful recollection. Peeling layers to the emotional center of Stork is composer Eleni Karaindrou, whose soundtracks were never so much inserted into as bled from the late Greek director’s canvases. Hers is the audio equivalent of a tracking shot, scrolling through face, space, and race with barest touch. “Refugee’s Theme” shrouds the credits like an overture to lives whose variations are leaves on a tree of displacement.

Of those lives we get only leitmotifs, each seeming far too short in the grander symphony of human suffering. Like the bodies floating in the opening shot, they bob at the whim of two rhythms: one natural, the other mechanical. [ ecm reviews ]

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          
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