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CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Standards In Norway

1995

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

Keith Jarrett has recorded quite a few albums with his "Standards Trio," which also features bassist Gary Peacock and drummer Jack DeJohnette, and virtually all of their releases are enjoyable. The music that they create is in some ways an update of the type of interplay that took place between Bill Evans and his sidemen, where all three musicians often act as equals (although Jarrett, like Evans, has most of the solo space). An uptempo "Love Is a Many-Splendored Thing" is a surprising highpoint of this disc but also quite memorable are "All of You," "Old Folks" and "How About You?"; none of the eight performances from the concert appearance are throwaways. Jarrett's vocal sounds are more restrained than usual while his piano playing is in peak form. [ AllMusic ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: My Song

1977

Keith Jarrett - pian
Jan Garbarek - saxofon tenor
Palle Danielsson - bas
Jon Christensen - tobe

AllMusic: "In addition to his solo piano concerts and the American group he led that featured tenor saxophonist Dewey Redman, Keith Jarrett was also busy in the mid-'70s with his European band, a quartet comprised of Jan Garbarek on tenor and soprano, bassist Palle Danielsson, and drummer Jon Christensen. Due to the popularity of the haunting "My Song," this album is the best known of the Jarrett-Garbarek collaborations and it actually is their most rewarding meeting on record. Jarrett contributed all six compositions and the results are relaxed and introspective yet full of inner tension."

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: Radiance

2002

Keith Jarrett - pian

AllMusic: "Keith Jarrett returned to performing and recording solo concerts in 1995 with La Scala (released in 1997) after recovering from an illness. That fine recording followed his manner of working that he had begun on Koln Concert in 1975: That is, completely improvised concerts from beginning to end that had melodic and "motivic" centers. The double-disc set that is Radiance, recorded in Japan in 2002, is a new fork in the road. The work has no conceptual center. Jarrett says he wanted to let some of the music "happen" to him while he sat at the piano, deep in thought. He states: "I wanted my hands (particularly the left hand) to tell me things." And happen it does.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett: Solo Concerts Bremen / Lausanne

Martie / Iulie 1973

Keith Jarrett - pian

"In his timeless solo concerts, Jarrett displays the uncanny ability to drop himself into a piece of improvised music as if it has been playing invisibly in the ether all along, requiring him only to pick up from whichever measure he encounters and leave the music to continue on after he has left the stage. This album predates Jarrett’s Köln concert by just two years and was the one that really put him on the map before that legendary successor. Yet we cannot simply say that Jarrett is channeling the cosmos and leave it at that, for he inhabits a melodic space that is tangible, his own. Though filed under jazz, this music is something far more than any generic summary could express. Still, I persist in trying. [ ecmreviews.com ]

  • Numar discuri: 2
  • Gen muzica: Jazz

Nota
( 5 ) bazata pe un review
Pret: 105          

CD ECM Records Keith Jarrett: Vienna Concert

Iulie 1991

Keith Jarrett - pian

AllMusic:
"Keith Jarrett feels that this is his finest solo concert; having "courted the flame for a very long time," he writes, this music speaks "the language of the flame itself." Perhaps playing in the European-tradition-encrusted Vienna Staatsoper had an overt influence, for never has a recorded Jarrett solo concert fallen into such a logical, even classical overall structure as this one -- all on the wing, mind you. Part I develops in a majestic 41-minute arch, opening with a simple chorale, devotional and trenchant, and suddenly kicking into a daring, complex, agitated toccata without a key center, technically dazzling and darting.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: Paris Concert

1988

Keith Jarrett - pian

AllMusic:
"The self-imposed quarantine on solo concerts over, Keith Jarrett returned to the improvisatory format that he virtually invented, mellower and more devotional than ever. Indeed, within the 38 minutes of solo improvisation captured at Paris's Salle Pleyel, Jarrett pulls further away from the old rousing (and thoroughly American) gospel, blues and folk roots of earlier concerts toward a more abstract concept. Opening with a soaring, lyrical canonic melody, he rambles through his familiar obsessive hammering, grand tremolos, and the like before topping it off with an ethereal tune that turns somber.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: The Melody At Night, With You

1998

Keith Jarrett - pian

ecmreviews:
"The Melody At Night, With You was my first Keith Jarrett solo album. And perhaps it was in a way for Jarrett, too. It interprets some of the greatest names in the American songbook—Duke Ellington, the Gershwins, Oscar Hammerstein and Jerome Kern, Oscar Levant, among others—yet tells their stories as if we’ve never heard them before. More than just another standards album in absence of his trio, this is the pianist at his purest. He approaches the music as a composer approaches a blank staff: which is to say, with wonder.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: The Carnegie Hall Concert

Septembrie 2005

Keith Jarrett - pian

ecmreviews:
"After a long preparatory breath, the experienced gardener digs his fingers into the soil: this is what it feels like to put on Keith Jarrett’s The Carnegie Hall Concert. The ensuing harvest offers a veritable rainbow of sonic fruits and vegetables, each with its distinct shape, texture, and flavor. Such is Jarrett’s post-millennial approach, which finds just as much depth in the self-fulfilling vignette as in the arcing narratives of years past. From heartaching lyricism (Part III) to mystical convolutions (Part IV), elegiac resolutions (Part V) to anthemic revelries (Part VII), the language of contrast is alive and well.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett Quartet: Sleeper

inregistrat live in 1979 la Tokyo
Keith Jarrett - pian
Jan Garbarek - saxofon tenor
Palle Danielsson - bas

AllMusic: "The double album Sleeper contains a previously unreleased live concert by Keith Jarrett's European quartet from the '70s, recorded at Tokyo's Nakano Sun Plaza on April 16, 1979.

Together with saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen, Jarrett performs seven of his own compositions: "Personal Mountains," "Innocence," "So Tender," "Oasis," "Chant of the Soil," "Prism," and "New Dance" -- the latter song being the shortest here at seven minutes, while "Oasis" clocks in at over 28 minutes!
Jon Christensen - tobe

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett, Charlie Haden - Jasmine

2010

Keith Jarrett - pian
Charlie Haden - contrabas

Jarrett and Haden back together again! Thirty three years after the break-up of Keith Jarrett’s great ‘American quartet’ , the pianist and bassist Charlie Haden reunited for an album of standards, played with deep feeling. The programme on “Jasmine” includes such classic songs as “Body and Soul”, “For All We Know” , “Where Can I Go Without You”, “Don’t Ever Leave Me” and more.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: Nude Ants

1979 - inregistrare live la Village Vanguard, New York

Keith Jarrett - pian, percutie
Jan Garbarek - saxofon sopran si tenor
Palle Danielsson - contrabas
Jon Christensen - tobe, percutie

ecmreviews.com:
"Something about Keith Jarrett’s very presence seems to draw out from even the most highly regarded musicians unexpected levels of performance, commitment, and above all faith in the musical moment. Nude Ants, easily one of his most uplifting live dates (this time at the Village Vanguard) on record and the pinnacle of his quartet activities, exemplifies this to the nth degree.

In its European incarnation, Jarrett’s menagerie of yesteryear opens its gates quietly and smoothly with “Chant Of The Soil.” Jarrett digs in alongside one of the most engaging rhythm sections one could ask for (Palle Danielsson and Jon Christensen). The liveness of the performance comes across early in “Innocence.”

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett: Staircase

1977

Keith Jarrett - pian

The fourth of Keith Jarrett's solo piano albums turns inward, away from the funky, pulsating melodic inventions of its predecessors toward a more reflective, scattered, never-despairing romanticism well removed from the pulse of jazz. As such, it is paradoxically his weakest solo piano album of the '70s and also the most influential, for here is the blueprint for sensitive meandering that the New Age piano crowd took off upon in the 1980s. A studio session, Staircase is actually only one of four separately titled improvisations on this double album (now on one CD) -- the others are "Hourglass," "Sundial" and "Sand" -- but their overall moods of repose are so similar that it hardly matters what they are called. One can always admire Jarrett's lovely tone and flexible touch, yet when he gets stuck for ideas, the repetitions finally begin to grate. Maybe he really needs the stimulus of a live audience in order to get the creative and rhythmic juices flowing when flying solo. [ AllMusic ]

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett: Rio

Aprilie 2011

Keith Jarrett - pian

ecmreviews:
"On 9 April 2011, Keith Jarrett took the stage at the Theatro Municipal in Rio de Janeiro for a concert of improvised music at the piano. Under any other artist’s name, this formula might ring as flat as the disc it’s printed on, bat Jarrett’s fingertips those keys do something unknown even to him. Like a marionette that comes to impossible life in the hands of a master puppeteer, an instrument before Jarrett is a broken circle waiting for its final arc. Rather than hang that circle as one would a mirror on the wall, he rolls it as a child would a hoop down the street. Such is the spirit of abandon that opens his every note like laughter at something intangible, and points to a destination so far away that it returns to its origin.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett: No End

1986

Keith Jarrett - pian

ecmreviews:
"There seems to be no end to Keith Jarrett’s output, so what better title for this archival gem? Recorded directly to cassette in his personal studio in 1986, No End is in many ways the secular counterpart to Spirits, produced under similar circumstances not a year before. Where that earlier album was something of a catharsis for its one-man band, here the emphasis is on essentials. What’s most delightful to hear in this recording is the foundational emphasis on rhythm. Jarrett has always had a flair for syncopation, and here we can experience that impetus in all its naked precision, conveyed by means less mitigated that we’re used to hearing. Foremost in his toolkit are electric guitar, bass, and drums, with hardly a piano lick in earshot. Girded by a refreshing sense of freedom, an inexhaustible creativity that simply must manifest at the intersection of body and instruments, it spins the wheel consistently and spontaneously.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett: La Scala

Februarie 1995

Keith Jarrett - pian

ecmreviews:
"February 13, 1995 marks an historic event. It was the first time that Milan’s Teatro alla Scala allowed a jazz musician to headline. Yet Keith Jarrett is, of course, more than his moniker and brings a wealth of music that is no less operatic that what normally graces its stage. For in the same way that opera embodies a flowering intersection of text, acting, and sound, Jarrett unapologetically translates vibration, feeling, and commitment through the lens of the body until their collective prism opens like an eagle’s tail. So begins another of his improvised piano concerts, which in this case augurs a twitch in the skin of space-time until it bleeds.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records The Gary Burton Quintet & Eberhard Weber: Ring

1974
Gary Burton - vibrafon
Mick Goodrick - chitara
Pat Metheny - chitara
Steve Swallow - bas
Bob Moses - percutie
Eberhard Weber - bas

ecmreviews.com:
"Gary Burton is in a class all his own. On the vibraharp he is pliant yet unbreakable with a certain flair for the understatedly powerful. Among the present company, he is perfectly at ease. No one tries to overpower him, and despite his melodic dominance he never looms for too long, receding into as many shadows as he casts. There’s not a single pretentious note to be heard; the flow between and within tracks barters its way across smooth waters. This is a nocturnal album all the way."

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Eberhard Weber: Resume

1990-2007
Eberhard Weber - bas, claviaturi
Jan Garbarek - saxofoane, fluier
Michael DiPasqua - tobe, percutie

Eberhard Weber played hundreds of concerts in his time as a member of the Jan Garbarek Group, and each of them included an extended feature for the bassist alone, often effectively a spontaneous composition rather than a ‘bass solo’ in strict jazz sense.

For “Résumé” Weber has returned to recordings of these solo sequences and reworked them into an album with its own sense of flow. The unique sound of Eberhard’s customised electric bass is heard here mostly in the context of his own keyboard settings and treatments, but also augmented by the saxophones and overtone flute of Jan Garbarek (on three tracks) and by the percussion of Michael DiPasqua. Based on live recordings made between 1990 and 2007 at locations from Karlsruhe to Santiago, the album was mixed in the South of France by Weber, Manfred Eicher, Michael di Pasqua and Gérard de Haro in 2011.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Eberhard Weber: Later That Evening

1982
Eberhard Weber - bas
Paul McCandless - saxofon sopran, english horn, oboi, bas clarinet
Bill Frisell - chitara electrica
Lyle Mays - pian
Michael DiPasqua - tobe, percutie

"Later Than Evening" contains just four compositions, but with a help of some great musicians participated it could be mentioned as one of the best Weber's release. Sound is crystal clear,crisp and very airy - as you can expect from ECM classic release. Music on the album is relaxed, down tempo, quite often almost liquid and rhythmless, minimalistic but precise.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Eberhard Weber: Fluid Rustle

1979
Eberhard Weber - bas, tarang
Bonnie Herman - voce
Norma Winstone - voce
Gary Burton - vibrafon, marimba
Bill Frisell - chitara electrica, balalaika


John Kelman :
"One of Weber's most memorable albums in a relatively diminutive discography as a leader (just 14 albums in 42 years), Fluid Rustle stands out for both its unusual instrumentation and the debut, at least on an international level, of soon-to-be-major guitarist Bill Frisell.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Eberhard Weber: Endless Days

2001
Eberhard Weber - bas
Paul McCandless - oboi, english horn, saxofon sopran, bas clarinet
Rainer Bruninghaus - pian, claviaturi
Michael DiPasqua - tobe, percutie

'Endless Days', then, is long-awaited. It's also Weber's first recording as leader of a 'group' in 12 years and will be hailed as a major event by ECM followers, particularly since the line-up, with bass/reeds/keyboards/drums, carries strong echoes of the halcyon days of Weber's 'Colours' band. Seven new compositions by Eberhard, plus a remake of 'The Last Stage of a Long Journey'.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          
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