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Muzica CD

CD ECM Records Gianluigi Trovesi, Umberto Petrin, Fulvio Maras: Vaghissimo Ritratto

2007

Gianluigi Trovesi - clarinet alto
Umberto Petrin - pian
Fulvio Maras - percutie, electronice

Piatti is the unifying element of a project celebrating four centuries of western melody, but he is a wraith mostly out of earshot, his themes sometimes barely touched, sometimes explicit, within rolling jazzy dialogues or free-playing. The title track, framing Trovesi’s mellow tone within gurgly electronics and soft piano interjections, comes closest to contemporary jazz. … It’s the kind of quirkily virtuosic ECM venture that changes hues with successive listening. [ John Fordham, The Guardian ]

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Anat Fort Trio: And If

2007

Anat Fort - pian
Gary Wang - contrabas
Roland Schneider - tobe

Delicate, slow stuff, and pretty darn Keith Jarrett-y – especially the childlike, folky quality – but there’s something warm and luxuriant in Fort’s minimalist approach. “Minnesota” feels like watching the sky open to a dawn visity, each moment registered with wonder; her second take on “Paul Motian” caught the soft-petal poetry of that journeying drummer well. [ Paul de Barros, DownBeat ]

This is an intellectually satisfying yet emotionally charged CD, the sounds of which echo in the memory long after the disc has stopped spinning. [ Hrayr Attarian, All About Jazz ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Anat Fort Trio + Gianluigi Trovesi: Birdwatching

2016

Anat Fort - pian
Gary Wang - contrabas
Roland Schneider - tobe
Gianluigi Trovesi - clarinet alto

Listening to this album for the first time, I was slightly thrown by the alto clarinet. Not a familiar voice like the soprano or bass clarinet, hearing over the course of full album took a little time to fully appreciate the range and nuances of the instrument, and assimilate Trovesi's musical language and tone. Playing with a bitter sweet sound, the clarinettist will colour and manipulate his sound, interpreting the written score and reacting to the rhythm section as if he too were a regular fixture of the ensemble. […] Anat is not one to wear her heart on her sleeve, but that does not lessen the emotional content of her music. Close listening reveals a sharp mind at work with each idea presented without any excess baggage, just lean and lithe lines that make their meaning felt succinctly before moving on. […] A captivating set that reveals an original voice continuing to grow. It will be interesting to hear how the Anat Fort Trio continue their journey, and I for one would relish the prospect of a solo album from this gifted enthralling pianist. [ Nick Lea, Jazz Views ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Mark Turner, Ethan Iverson: Temporary Kings

2018

Mark Turner - saxofon tenor
Ethan Iverson - pian

With Temporary Kings two of the most distinct voices on today’s jazz scene present their debut on record as a duo: Engaging in inspired dialogue Mark Turner and Ethan Iverson here explore aesthetic common ground in the atmosphere of a modernist chamber music-like setting at the Auditorio Stelio Molo RSI, Lugano. The saxophonist and the pianist had begun their association in the Billy Hart Quartet, where the two players featured sympathetically on two ECM albums by that band. The new duo album now contains six originals by Iverson (among them the nostalgic solo tune “Yesterday’s Bouquet”) and two by Turner (including “Myron’s World,” which has acquired near-classic status among contemporary jazz players). There’s an off-kilter blues (“Unclaimed Freight”) and a strikingly melodic, almost Ravelian opening track dedicated to the town where the album was recorded under ideal sonic conditions (“Lugano”), plus an interpretation of Warne Marsh’s playfully serpentine “Dixie’s Dilemma.”

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Enrico Rava Quintet: Tribe

2010

Enrico Rava - trompeta
Gianluca Petrella - trombon
Giovanni Guidi - pian
Gabriele Evangelista - contrabas
Fabrizio Sferra - tobe
Giacomo Ancillotto - chitara

Voted Rising Star Trombonist in the Down Beat Critics Poll of 2005, he has a front-line relationship with Rava which recalls Enrico’s affinity with Roswell Rudd back in the heyday of the New Thing. Fast-moving, quick-witted exchanges abound. Enrico has always encouraged younger musicians, and pianist Giovanni Guidi (born 1985) is a real find, a player of creativity and imagination: “When I notice the gifts of a young musician, I immediately involve him in my groups. This is not motivated by altruism,” Rava insists. “Giovanni Guidi is like Bollani and Petrella: he astounds me every time.”

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Enrico Rava: New York Days

2008

Enrico Rava - trompeta
Stefano Bollani - pian
Mark Turner - saxofon tenor
Larry Grenadier - contrabas
Paul Motian - tobe

In assessing Enrico Rava's lengthy career, while it is clear that he is still reaching for the unattainable, in recent years the Italian trumpeter's context has been considerably more centrist. Easy Living (ECM, 2004) and The Words and the Days (ECM, 2007) were undeniably mainstream, albeit with an unmistakable European and, at times, Mediterranean bent. New York Days teams Rava and pianist Stefano Bollani—last heard in duet on the marvelous The Third Man (ECM, 2008)—together with perennially underrated tenor saxophonist Mark Turner, increasingly ubiquitous bassist FLY and drum icon Paul Motian for a set of nine originals and two free improvisations that, like The Third Man combine innate lyricism and swing with some of Rava's freest playing in years. [ John Kelman ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Enrico Rava Quartet, Gianluca Petrella: Wild Dance

2015

Enrico Rava - trompeta
Gabriele Evangelista - contrabas
Enrico Morello - tobe
Gianluca Petrella - trombon

Enrico Rava, the great Italian jazz trumpeter, sifted through avant-swing, improv and experimental crossovers for years, then discovered Michael Jackson in his 70s, and devoted an utterly personal tribute album to him in the company of younger partners. ‘Wild Dance’ is similarly cross-generational, with an expanded Rava road band, fronted for the occasion by the leader’s trumpet paired with the trombone of Gianluca Petrella, a supple maestro of voicelike long tones, bebop intricacies and inbuilt swing. Rava’s Miles-inspired lyricism and tone control on slow music often takes centre stage in his work, but […] the blurted Ornette Coleman-like flurries of ‘Infant’ or ‘Happy Shades’, the guitar-driven swinger ‘Cornette’, or the soft bop ‘F Express’, over the excellent Enrico Morello’s bustling brushwork, represent effortlessly inventive uptempo jazz playing. [ John Fordham, The Guardian ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Nota
( 5 ) bazata pe un review
Pret: 70          

CD ECM Records Enrico Rava, Stefano Bollani, Paul Motian: Tati

2005

Enrico Rava - trompeta
Stefano Bollani - pian
Paul Motian - tobe

A ballads album of remarkable musical range and depth, an intensely melodic disc, featuring the unorthodox line-up of trumpet, piano and drums.

Tati, in its inspiration and collective execution and continuity, is … very possibly Enrico Rava’s most indispensable recording. The mood is never broken, but evolves. After the Gershwin, everything is originals by members of the trio except a Puccini theme from Tosca, which seamlessly becomes one more fluid form in the spontaneous aesthetic. … Rava’s … ideas are impossible to anticipate as they move in melodic tangents and intuitive flares of energy. [ Thomas Conrad, Jazztimes ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Enrico Rava Quintet: The Words And The Days

2007

Enrico Rava - trompeta
Gianluca Petrella - trombon
Andrea Pozza - pian
Rosario Bonaccorso - contrabas
Roberto Gatto - tobe

One of the most charismatic of jazz musicians, Enrico Rava has truly hit a purple patch in his career – he’s got a great band, he’s with the best label in the world and he’s making the finest music of a long, distinguished career. … This music will make you feel good about the world, maybe because it gives voice to all those values that however downtrodden won’t go away. I could tell you that this track is ballad, that one uptempo and this one has a Latin feel. But it deserves better than that. Simply, they should distil this, bottle it and serve it everywhere. A wizard and a true star. [ Duncan Heining, Jazzwise ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: Sunbear Concerts

1976

Keith Jarrett - pian

AllMusic: "This gargantuan package -- a ten-LP set now compressed into a chunky six-CD box -- once was derided as the ultimate ego trip, probably by many who didn't take the time to hear it all. You have to go back to Art Tatum's solo records for Norman Granz in the '50s to find another large single outpouring of solo jazz piano like this, all of it improvised on the wing before five Japanese audiences in Kyoto, Osaka, Nagoya, Tokyo, and Sapporo. "

  • Numar discuri: 6
  • Gen muzica: Jazz

Nota
( 5 ) bazata pe un review
Pret: 360          

CD ECM Records Keith Jarrett: Belonging

1974

Keith Jarrett - pian
Jan Garbarek - saxofon sopran si tenor
Palle Danielsson - bas
Jon Christensen - tobe

AllMusic: "On Keith Jarrett's first recording with his "European" quartet -- Jan Garbarek (sax), Palle Danielsson (bass), Jon Christensen (drums) -- he stakes out somewhat less abrasive territory than that which his "American" foursome was exploring at this time.

Garbarek sports a neutral, vibratoless tone that occasionally reaches an emotional climax; the rhythm section is supportive and just loose enough. The record operates at its strongest level when Jarrett locks the quartet into his winning gospel mode on "'Long as You Know You're Living Yours" and the tense drive of "Spiral Dance"; the reflective numbers are less compelling. Still, this LP-turned-CD successfully bucked the powerful electric trends of its time and holds up well today."

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Yesterdays

2001

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

AllMusic (Thom Jurek): "Yesterdays is the third title ECM has released by Keith Jarrett, Gary Peacock, and Jack DeJohnette (dubbed "the standards trio"). The first two -- The Out-of-Towners released in 2004 and My Foolish Heart issued in 2007 -- were actually recorded later than this live date recorded in Tokyo in April of 2001.

This also marks a first in the pianist's career: the George Gershwin tune "You Took Advantage of Me" appeared on My Foolish Heart in a very different arrangement, making this the first time Jarrett has ever employed a single track on two consecutive albums. On My Foolish Heart Jarrett used a full-on ragtime intro to the tune. Here, he employs a denser harmonic construction based on its changes and melodic frame. When the band enters, the pop and swing in the tune become pronounced, standing in the same universe as ragtime (which is more than likely the reason Jarrett employed it before) but also much more sophisticated and harmonically complex. "

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett, Charlie Haden: Last Dance

2007

Keith Jarrett - pian
Charlie Haden - contrabas

All of which made Jasmine (ECM, 2010) a release worth celebrating. Recorded at Jarrett's home (in his Cavelight Studio), it was an intimate conversation between two old friends—Jarrett and Haden—who'd not recorded together in over three decades, and who were brought together when the pianist participated in Reto Cardiff's film about the bassist, Rambling Boy (2009).

Some things are never lost, and if Jasmine proved anything, it's that the chemistry shared by Jarrett and Haden may have been on hiatus for 30 years, but was no less potent, no less profound, when they found themselves recording a series of standards at Jarrett's home with no rehearsals barring a few quick run-throughs of the changes. The collaboration must have been a fruitful one, because Last Dance comes from those same sessions, another full 76 minutes of music comprised, once again, of songs culled from jazz standards and the Great American Songbook. [ AllAboutJazz (John Kelman) ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Nota
( 5 ) bazata pe 2 review-uri
Pret: 70          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: My Foolish Heart

2001

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

"My Foolish Heart may just be, between Still Live and Somewhere, the missing piece of the Keith Jarrett Trio’s Triforce. Recorded live in Montreux in July of 2001, it shows the trio—both in general and this specific—in brightest light. The bounce of “Four” kicks things off with so much panache that anyone even thinking of laying fingers to keyboard might just want to crawl into a hovel and listen in awe. The tune is, of course, by Miles Davis and draws lines of history back to Jarrett’s association with the Prince of Darkness, flipping that nickname into an exercise in luminescence. The feeling of togetherness practically shouts its decades of experience from the rooftops and calls any who will listen in ecstatic gathering. Peacock almost flies off the handle from all the excitation, but reins in his enthusiasm just enough to build his first solo of the night with architectural integrity. DeJohnette, too, revs the engine a few times without losing traction. [ ecmreviews ]

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Whisper Not

iulie 1999

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

It’s been a long time since the first volumes of standard interpretations by Jarrett, Peacock, and DeJohnette hit the streets, announcing a new direction for the multifaceted Jarrett. It was 1983 to be exact and since then a distinguished series of ECM sides has built on the solid reputation so clearly established right at the start. While arguably the magnum opus of the lot would have to be Keith Jarrett at the Blue Note: The Complete Recordings, a close second can easily be claimed with the new release of a July 1999 concert recording in Paris packaged on two discs as Whisper Not. [ AllAboutJazz ]

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Tribute

1989

Keith Jarrett - pian
Gary Peacock - bas
Jack DeJohnette - tobe

AllMusic: "The Keith Jarrett Standards Trio gets back down to business with two CDs' worth of familiar and perhaps not-so-familiar tunes, recorded in one evening in Cologne, Germany. There is a concept this time, for all the standards carry a dedication to some jazz man or woman who performed them -- and they are not predictable choices; Lee Konitz for "Lover Man," "It's Easy to Remember" for John Coltrane, "All of You" for Miles Davis, etc.

Almost every number has a reflective solo piano introduction, with one of the notable exceptions being Jarrett's rolling, convoluted opening variations on "All the Things You Are" (Sonny Rollins). "Solar" (the Bill Evans tribute) has challenging, fractured interplay between Jarrett, Jack DeJohnette and Gary Peacock, and it directly segues into Jarrett's own obsessive "Sun Prayer," which seems to lose its way after a fine start.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Tokyo'96

1996

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

ecmreviews:
"Keith Jarrett’s trend-setting standards trio returns to Japan in celebration of its 15th year in this commanding live recording, which from bare pianistic threads spins an up-tempo version of “It Could Happen To You” to kick things off just right. With DeJohnette’s brushes flying and Peacock likewise enamored, free and easy exchanges abound. At this point we’re already hooked, so that “Never Let Me Go” becomes a mantra to guide us through the rest. There’s so much tenderness from Jarrett here, it’s a wonder he can emote with so little vocal breach. This, along with Peacock’s soulful slides, makes for one of the most heartwarming tracks in the trio’s output. Peacock’s early lepidopteran solo in “Summer Night” traces Jarrett’s masterful story arc word for word and shifts into high gear for “John’s Abbey” in a chain of powerful music-making. The trio’s sparkling rendition of “Billie’s Bounce” is a splash of cold water on the face. Jarrett’s right hand slaloms through the left’s gentle punctuations before a concluding solo from DeJohnette puts the icing on this positively exuberant cake. It’s one of a few standout moments from the drummer, who relays hand percussion and hi-hat in “I’ll Remember April” and leads the trio into an organic fadeout. All of which makes the relatively brief “Mona Lisa” a magical moment. Painting with a dark and bar-lit hue, its grandeur is obscured, embraced, inhaled.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Inside Out

2000

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

ecmreviews:
"Of his approach to this 2001 album, recorded live the year before in London, pianist Keith Jarrett says, “Don’t ask. Don’t think. Don’t anticipate. Just participate.” Where for so long he and his partners Gary Peacock and Jack DeJohnette had served up piping hot new takes on old recipes, here they decided to do away with all that and, with the exception of their version of the evergreen “When I Fall In Love” that concludes, let the music create itself. What in others’ hands would have been a risky venture turns into a balanced, intuitive record from these most capable sound-smiths.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Always Let Me Go

2001

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

AllMusic:
"Recorded live in Tokyo in April 2001, Always Let Me Go is Keith Jarrett's 149th concert in Japan. Joined by his long-standing partners Gary Peacock and Jack DeJohnette, these performances are playful, explosive, somber, and completely improvised. After 20 years of working together, they trust each other (and the audience) enough to deliver over two hours of unscripted music. DeJohnette prowls through his drums like a restless cougar: he chatters, scuffles, and pounces on the skins with agility. Likewise, Peacock spoons out a concrete foundation of bass; one that bubbles as it spreads through the cracks in Jarrett's 88 keys (which serve the pianist so very well). For listeners familiar with the trio's Inside Out CD, here is the same idea further elaborated on.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Setting Standards - New York Sessions (3 CD-Box)

1983

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

This reissue of the first days of Keith Jarrett’s “Standards” project - with Gary Peacock and Jack DeJohnette brings together the albums “Standards Vol. 1”, “Standards Vol. 2” and “Changes”, recordings made in a sustained burst of creativity in 1983.

Now re-released as a boxed set to celebrate 25 years of the Jarrett/Peacock/DeJohnette trio, “Setting Standards” also sets the stage for a new series of ECM reissues (which will be continued with further releases in 2008).

  • Numar discuri: 3
  • Gen muzica: Jazz

Pret: 139          
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