Inchide

Muzica CD

CD ECM Records Art Ensemble Of Chicago: Tribute To Lester

2003
Roscoe Mitchell - saxofoane, flaut, percutie
Malachi Favors Maghostut - contrabas, clopote, fluier, congas
Famoudou Don Moye - tobe, gonguri, congas, bongos, fluiere

When AEC trumpeter Lester Bowie died in November 1999 at the age of 58, the jazz world lost one of its great originals –­ a flamboyant sound-painter, a great soloist, a musical philosopher, and a charismatic performer. On this memorial album his friends and colleagues give a sense of his freewheeling, larger-than-life character. Powerful and uncompromising, “Tribute To Lester” is the first new Art Ensemble recording on ECM in almost 20 years, and one of their very finest discs.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Art Ensemble Of Chicago: Nice Guys

1979
Art Ensemble Of Chicago :
Joseph Jarman - saxofone, clarinet, flaute, scoici, vibrafon, gonguri, congas, voce
Roscoe Mitchell - saxofoane, flaute, oboi, clarinet, gonguri
Malachi Favors Maghostut - contrabas, percutie, melodica
Famoudou Don Moye - percutie solara
Lester Bowie - trompeta, celsta, toba mare

"The legendary Art Ensemble of Chicago, currently in their fifth decade of activity, ended a five-year studio silence with Nice Guys, their debut for ECM at the pinnacle of the label’s output. As children of Chicago’s groundbreaking Association for the Advancement of Creative Musicians (AACM)—which also finds Jack DeJohnette, Anthony Braxton, and Wadada Leo Smith on its formidable roster—Ensemble members bring to every project a sound as eclectic as their technology. Theirs is simply positive music-making that is loads of fun and possesses much to admire. Free of dangerous philosophical trappings and illusions of space, it forges through the loose aesthetic of its performance a circle in which any and all listeners feel included.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Art Ensemble Of Chicago: The Third Decade

1985
Art Ensemble Of Chicago :
Joseph Jarman - saxofone, clarinet, flaute, scoici, vibrafon, gonguri, congas, voce
Roscoe Mitchell - saxofoane, flaute, oboi, clarinet, gonguri
Malachi Favors Maghostut - contrabas, percutie, melodica
Famoudou Don Moye - percutie solara
Lester Bowie - trompeta, celsta, toba mare

ecmreviews.com:
"Drawn from a wealth of sources and enhanced with the usual assortment of found sounds, The Third Decade is another solid outing from the Art Ensemble of Chicago that would be the group’s last on ECM for another seventeen years. One can always expect an eclectic experience on any AEC joint, and this one doesn’t disappoint.

From the snaking synthesizer lines and various nocturnal rustlings of Joseph Jarman’s “Prayer For Jimbo Kwesi,” which sound for all like the soundtrack to a home movie version of 2001: A Space Odyssey, to the freely improvised and maddening (traffic) jam of the title track, there’s bound to be something for everyone. The former, with its subtle horns and nascent bass, is especially fascinating and showcases the AEC’s ability to sustain itself through long, ponderous distances with unwavering interest.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Bobo Stenson Trio: Indicum

2012

Bobo Stenson - pian
Anders Jormin - contrabas
Jon Falt - tobe

Free playing, Danish composer Carl Nielsen’s “Oft Am I Glad”, tunes by Bill Evans and George Russell, a Norwegian hymn, contemporary composition by Ola Gjeilo, a Wolf Biermann protest song, Ariel Ramirez.’s folkloric “La Peregrinacion”, ... Wide-ranging repertoire has become a hallmark of Bobo Stenson albums. But it’s not just the eclecticism that is striking: Stenson, Jormin and Fält take these far-flung sources and make an organic, breathing music out of them ... Stenson, of course, has long been one of the greats of Scandinavian jazz, and an ECM artist since the first years of the label. But there is a balance of energies in this particular trio – clear-edged lyrical piano playing, rootedness and keen choice of notes from the bass, and detailed, textural drumming – that is especially satisfying. Recorded in Lugano in November and December 2011.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Bobo Stenson Trio: Contra La Indecision

2017

Bobo Stenson - pian
Anders Jormin - contrabas
Jon Falt - tobe

The great Swedish trio of Bobo Stenson takes a stand against indecision in a decisively beautiful new album. As ever, the trio draws upon a wide range of source materials. A yearning title song by Cuban singer-songwriter Silvio Rodríguez, Bartók’s adaptation of a Slovak folk song, a piece from Mompou’s Cançons I Danses collection, and Erik Satie’s Elégie are integrated into the programme, alongside original compositions by Stenson and Anders Jormin and group improvising.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Bobo Stenson Trio: Serenity

2000

Bobo Stenson - pian
Anders Jormin - contrabas
Jon Christensen - tobe

Serenity brings the work of the Stenson Trio to a new plateau, drawing on the richness of the jazz tradition, on folk music, Cuban song, 20th century composition, and free playing. The choice of material is inspired. In addition to pieces by each of the trio members and collective improvisations, we hear two pieces by Hanns Eisler, one by Charles Ives, and one by Alban Berg, plus Wayne Shorter's Swee Pee, singer/songwriter Silvio Rodríguez's El Mayor, and two accounts of the Swedish folk tune Polska of Despair by Lorens Brolin.

  • Numar discuri: 2
  • Gen muzica: Jazz

CD ECM Records Bobo Stenson Trio: Reflections

1996

Bobo Stenson - pian
Anders Jormin - contrabas
Jon Christensen - tobe


AllMusic:
"Bobo Stenson is best known for his longtime association with Charles Lloyd. On his trio set (which has fine support from bassist Anders Jormin and drummer Jon Christensen), he often sounds a bit like Keith Jarrett, Lloyd's pianist of the 1960s. Stenson shows more energy than one might expect to hear on an ECM date, although he also has several introspective explorations. Highlights include a somber "My Man's Gone Now," an impressionistic version of Duke Ellington's "Reflections In D," the Latin feel of "Minidatyr" and a spirited "The Enlightener."

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Bobo Stenson Trio: Goodbye

2005

Bobo Stenson - pian
Anders Jormin - contrabas
Paul Motian - tobe

Charles Devilbiss, Washington Examiner :
"Goodbye is an expressive showcase for the talents of both men, as well as bassist Anders Jormin, and hews closely to the directions that the principals have forged over their careers, from the Bill Evans era and forward. The trio starts with an intriguing take on Stephen Sondheim’s “Send in The Clowns”, and then truly shines on original contributions, such as Motian’s exotic and minatory “Sudan”, and Jormin’s luminous arrangements of “Alfonsina” by Ariel Ramirez and “Song About Earth” by Vladimir Vyotsky, making this a truly bewitching listen."

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Manu Katche: Playground

2007

Manu Katche - tobe
Mathias Eick - trompeta
Trygve Seim - saxofon tenos si sopran
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
David Torn - chitara

This is late-night music with the smoky atmospheres of Kind of Blue. [ John Bungey, The Times ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Manu Katche

2012

Jim Watson - pian, orga Hammond
Nils Petter Molvaer - trompeta, tratamente electronice
Tore Brunborg - saxofon tenor si sopran
Manu Katche - tobe, pian

ecmreviews:
"French-Ivorian drummer Manu Katché first caught my ear on Jan Garbarek’s Visible World, for which he provided a comforting balance of the smooth and the jagged. Since then, I’d heard him lurking in many of the saxophonist’s records, including Ragas and Sagas, I Took Up The Runes, and Twelve Moons. Yet it wasn’t until 2005’s Neighbourhood that he blossomed before my ears as a composer of economy, straightforwardness, and panache. Thus began the Manu Katché “band,” the makeup of which has changed with every album since. Horns remain a constant, and this latest effort puts him in studio contact with Nils Petter Molvær on trumpet and Tore Brunborg on reeds, along with Jim Watson on piano and Hammond B3.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Manu Katche: Touchstone for Manu

2004 - 2012 - album-compilatie din discografia lui Manu Katche la ECM Records

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Paul Bley, Gary Peacock, Paul Motian: Not Two, Not One

1999

Paul Bley - pian
Gary Peacock - contrabas
Paul Motian - tobe

Bassist Gary Peacock pulled together this reunion of a classic edition of the Paul Bley Trio. They've played together in duos over the years, but this - rather astonishingly - is the first time that Bley, Peacock and Motian have recorded as a trio in 35 years.This was a history-making group, free and yet intensely melodic; it has lost none of its persuasiveness. Highlights include Bley's depth-sounding explorations of the bottom end of the Bösendorfer piano on 'Not Zero', a reworking of 'Fig Foot' from the trio's original 60s repertoire, a stunning Peacock solo on 'Entelechy', and much spirited spontaneous interaction.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Paul Bley: With Gary Peacock

1964, 1968

Paul Bley - pian
Gary Peacock - contrabas
Billy Elgart - tobe
Paul Motian - tobe

"From the moment “Blues” (Ornette Coleman) kicks off we’re already caught up in the flow of this magnificently swinging album. The band is in fine form, navigating its melodies with fluid energy. Bley proves his comfort in Coleman territory, easing his way through a series of dexterous detours. [ ecmreviews ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Paul Bley: Live In Oslo

August 2008

Paul Bley - pian

A rare solo performance by one of jazz’s great originals, Canadian pianist Paul Bley, recorded live at the Oslo Jazz Festival in 2008 by Jan Erik Kongshaug and Manfred Eicher. There is nothing else quite like a Paul Bley concert. As the New York Times noted, “Mr. Bley long ago found a way to express his long, elegant, voluminous thoughts in a manner that implies complete autonomy from its given setting but isn't quite free jazz. The music runs on a mixture of deep historical knowledge and its own inviolable principles.' Here Bley, encouraged by an attentive and enthusiastic Norwegian audience shapes music in the moment, plays his own compositions, and brings the music to a fine conclusion in a performance of Sonny Rollins’s “Pent-Up House”.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Paul Bley: Open, To Love

Septembrie 1972

Paul Bley - pian

One of the most influential recordings in the history of jazz piano, Paul Bley’s solo album thoughtfully explores the compositions of Carla Bley and Annette Peacock.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Horacio Lavandera - Dino Saluzzi: Imagenes, Music For Piano

Horacio Lavandera - pian

Dino Saluzzi: Imagenes, Music For Piano

Dino Saluzzi can still surprise us. Who knew that the master of the bandoneon had, for decades, been stockpiling compositions for other instruments? This album of pieces for piano features music written between 1960 and 2002, variously conceived in Salta, Buenos Aires, Stuttgart and on the road. It is music of great diversity, both distinct from and connected to Dino’s work as storytelling, improvising bandoneonist. In this more formal context, liner note writer Hans-Klaus Jungheinrich suggests, Saluzzi’s musical pictures take on an almost cubist quality, like a sequence of images viewed from multiple perspectives. Horacio Lavandera, a young Argentine pianist specialized in both classical music and contemporary composition (he has worked with both Boulez and Stockhausen), is an ideal Saluzzi interpreter, attuned both to his love of his homeland and his artistic need to travel widely.

  • Numar discuri: 1
  • Gen muzica: Contemporana

CD ECM Records Dino Saluzzi, Anja Lechner: El Encuentro

2010

Dino Saluzzi - bandoneon
Anja Lechner - violoncel
Felix Saluzzi - saxofon tenor
The Metropole Orchestra , dirijor Jules Buckley

Dino Saluzzi:
- Vals De Los Dias
- Plegaria Andina
- El Encuentro
- Miserere

Dino Saluzzi’s new music for orchestra and soloists characteristically glides through the borders between the idioms. A Saluzzi composition can, from one minute to the next, be “serious”, “popular”, “traditional”, “experimental -, even if these style divisions barely exist for a bandoneonist who prefers to see his work as “simply an expression of innocence”. “El Encuentro” was recorded live in Amsterdam with the Metropole Orchestra in February 2009 and is issued in time for Dino’s 75th birthday in May.

  • Numar discuri: 1
  • Gen muzica: Contemporana

CD ECM Records Dino Saluzzi Group: Juan Condori

2006

Dino Saluzzi - bandoneon
Felix Saluzzi - saxofon, clarinet
José María Saluzzi - chitara
Matías Saluzzi - contrabas, chitara bas
U.T. Gandhi - tobe, percutie

This is a set of haunting melodies that don’t come from anywhere near the jazz tradition – but an improvisational spark keeps appearing. … There’s a tango classic that develops dark, stealthy investigations in between visits to the main theme, and the title track is a captivating exchange between bandoneon and guitar. There’s a short group improvisation as still as church music, and constant reflections of both the exhilaration and sadness of the tango. The sax sound and guitarist José Saluzzi’s jazzy phrasing broaden this set’s appeal and the spontaneous empathy of the players reaches out. [ John Fordham, The Guardian ]

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Dino Saluzzi: Responsorium

2003

Dino Saluzzi - bandoneon
Palle Danielsson - contrabas
José María Saluzzi - chitara acustica

“Responsorium” begins where the critically praised “Cité de la Musique” left off, but with the great Argentinian bandoneonist Dino Saluzzi and his guitar playing son José now joined by one of the seminal figures of European modern jazz, Swedish bassist Palle Danielsson. The harmony is wider with Danielsson on board, and all three players seem to have more room to move inside the structures of Dino’s compositions, embellishing the atmospheres of his songs, so full of yearning and sadness and hope.

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Dino Saluzzi Group: Mojotoro

1992

Dino Saluzzi - Bandoneon, percutie, voce
Félix 'Cuchara' Saluzzi - clariner, saxofon tenor si sopran
Armando Alonso - chitara, voce
Guillermo Valalá - bas electric, voce
José María Saluzzi - tobe, percutie, voce
Arto Tuncboyaci - percutie, voce

On this wonderful date from the early 90s, Dino Saluzzi joins brothers Celso (doubling Dino on bandoneón), Felix (on saxophones and clarinet), and drummer José for a true family effort. Fleshed out by guitar, bass, and percussion, the so-called Dino Saluzzi Band strikes out with a solid session from start to finish. Even in such a populated setting, Saluzzi’s characteristic backward glance is as intimate as ever, threading every needle on the horizon with voices from a valued past. His bandoneón bubbles from a fissure of memory as Felix’s gravelly tenor waxes mythic across the plains, but finds its purest sentiment in “Tango a mi padre.” One of my all-time favorite Saluzzi songs, this time it is augmented by a buttery soft soprano. [ ecm reviews ]

  • Numar discuri: 1
  • Gen muzica: World

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