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CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Inside Out

2000

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

ecmreviews:
"Of his approach to this 2001 album, recorded live the year before in London, pianist Keith Jarrett says, “Don’t ask. Don’t think. Don’t anticipate. Just participate.” Where for so long he and his partners Gary Peacock and Jack DeJohnette had served up piping hot new takes on old recipes, here they decided to do away with all that and, with the exception of their version of the evergreen “When I Fall In Love” that concludes, let the music create itself. What in others’ hands would have been a risky venture turns into a balanced, intuitive record from these most capable sound-smiths.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Somewhere

2009

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

AllMusic (Thom Jurek):
"It is almost superfluous to write about Keith Jarrett's three-decades-and-running standards trio with Gary Peacock and Jack DeJohnette. Given their recorded output, it's easy to discern why they are regarded by many as the greatest living piano trio. They have continued to imbue the standards book with new dimensions of meaning, creating a near symbiotic dialogue in harmonic and rhythmic invention while remaining emotionally resonant.

The performances on Somewhere were recorded in 2009, and are the first offerings by the group on record in four years, though they continue to play select dates annually. Since their three previous releases were all taken from a 2001 tour, this show reflects an eight-year growth period. The opener is a Jarrett improvisation entitled "Deep Space," which is a building block solo intro to Miles Davis' "Solar," and which this group has recorded before -- several times in fact -- but never with the kind of lyric audacity and rumbling low-end counterpoint that Peacock puts on offer here. There's a popping read of Harold Arlen's and Ted Koehler's "Between the Devil and the Deep Blue Sea," with Jarrett playing chunky, staggered chords that manage to slip 4/4 as he dialogues with DeJohnette. The pair go at the time signature from both ends, refusing its authority until not to do so would result in its collapse. Peacock binds their conversation while finding his own way in and out of an implied yet never directly engaged sense of swing.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Always Let Me Go

2001

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

AllMusic:
"Recorded live in Tokyo in April 2001, Always Let Me Go is Keith Jarrett's 149th concert in Japan. Joined by his long-standing partners Gary Peacock and Jack DeJohnette, these performances are playful, explosive, somber, and completely improvised. After 20 years of working together, they trust each other (and the audience) enough to deliver over two hours of unscripted music. DeJohnette prowls through his drums like a restless cougar: he chatters, scuffles, and pounces on the skins with agility. Likewise, Peacock spoons out a concrete foundation of bass; one that bubbles as it spreads through the cracks in Jarrett's 88 keys (which serve the pianist so very well). For listeners familiar with the trio's Inside Out CD, here is the same idea further elaborated on.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Setting Standards - New York Sessions (3 CD-Box)

1983

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

This reissue of the first days of Keith Jarrett’s “Standards” project - with Gary Peacock and Jack DeJohnette brings together the albums “Standards Vol. 1”, “Standards Vol. 2” and “Changes”, recordings made in a sustained burst of creativity in 1983.

Now re-released as a boxed set to celebrate 25 years of the Jarrett/Peacock/DeJohnette trio, “Setting Standards” also sets the stage for a new series of ECM reissues (which will be continued with further releases in 2008).

  • Numar discuri: 3
  • Gen muzica: Jazz

Pret: 139          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Still Live

1986

Keith Jarrett - pian
Gary Peacock - bas
Jack DeJohnette - tobe

AllMusic: "Once Keith Jarrett gets into a concept, he likes to keep those tapes rolling. This two-disc live outpouring from a Standards Trio gig at Munich's Philharmonic Hall was the biggest offering from this group up to that time (it wouldn't hold that distinction for long) -- and once again, Jarrett treats his brace of pop and jazz standards with unpredictable, often eloquently melodic and structural originality.

To cite a pair of highlights: "Autumn Leaves" always seems to bring out an endless flow of invention from Jarrett, and "The Song Is You" gets off to a rollicking start and maintains a nearly relentless energy level for 17 minutes, closing with a Spanish vamp. Again, the rapport with his onetime jazz-rock associate, drummer Jack DeJohnette, and bassist Gary Peacock is total; DeJohnette's mastery of shifting cymbal patterns while maintaining the pulse acts on the trio like a loose tether made of carbon steel. There is a considerable amount of Jarrett vocalizing, though; sometimes he sounds like a tortured animal. "

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: After The Fall

2018
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

The group colloquially known as “the Standards trio” has made many outstanding recordings, and After The Fall must rank with the very best of them. “I was amazed to hear how well the music worked,” writes Keith Jarrett in his liner note. “For me, it’s not only a historical document, but a truly great concert.” This performance – in Newark, New Jersey in November 1998 – marked Jarrett’s return to the concert stage after a two year hiatus. Joined by improvising partners Gary Peacock and Jack DeJohnette, he glides and soars through classics of the Great American Songbook including “The Masquerade Is Over”, “Autumn Leaves”, “When I Fall In Love” and “I’ll See You Again”. There are also breath-taking accounts of hallowed bebop tunes including Charlie Parker’s “Scrapple From The Apple”, Bud Powell’s “Bouncin’ With Bud” and Sonny Rollins’s “Doxy”.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Wolfgang Muthspiel: Rising Grace

2016
Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Brian Blade - tobe

AllAboutJazz :

"Austrian guitarist Wolfgang Muthspiel made a big splash early in his career, playing with vibraphonist Gary Burton and recording for PolyGram Records (including 1990's The Promise, produced by Burton). Since founding his own label Material Records in 2000 he has had a somewhat lower profile, although in addition to a number of his projects the label released From A Dream (2009), the stunning debut of the cooperative trio MGT (with fellow guitarists Slava Grigoryan and Ralph Towner). Muthspiel made his ECM debut with that trio on 2013's Travel Guide, followed by his leader debut in 2014 with the trio album Driftwood (with bassist Larry Grenadier and drummer Brian Blade).

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Wolfgang Muthspiel, Larry Grenadier, Brian Blade: Driftwood

2013

Wolfgang Muthspiel - chitara
Larry Grenadier - contrabas
Brian Blade - tobe

This album is one arc, one musical environment. Rapt atmospheres descend, then evolve. Muthspiel is a romantic, but he is also technically astute and concise. He plays very few nonessential notes. The essence of the Eicher aesthetic is cinematic. [ Thomas Conrad, Jazz Times ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records CIRCLE: Paris Concert

1972

Chick Corea - pian
Anthony Braxton - instrumente de suflat cu ancie, percutie
Barry Altschul - percutie
David Holland - contrabas, violoncel

Supergrup Free-Jazz

Circle was a band on fire with creativity. Chick Corea and Dave Holland had just left Miles Davis’s band, keen to explore all parameters of new music in an improvised context. Anthony Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Barry Altschul’s resumé included extensive work with Paul Bley. Together they were, for a while, matchless. Corea called the Paris Concert (recorded 1971) the realization of a dream. Melody Maker: “Paris Concert is evidence that here was one of the most excitingly talented bands of recent years, for these 94 minutes of music simply burst with vigorous invention.”

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Tomasz Stanko & Marcin Wasilewski Trio: Lontano

2006
Tomasz Stanko - trompeta
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe

"This album was recorded at the end of a tour in which frequent collaborators Polish trumpeter Tomasz Stanko and the trio featuring gifted pianist Marcin Wasilewski had begun to investigate more improv-oriented methods, and it's freer and more organically generated than its predecessors.

The title track appears in three long manifestations through the set, with the first part in particular sounding like an all-but-perfect contemporary jazz/improv ensemble piece, developing from slow musings through sputtery, 60s-Miles trumpet eruptions, a series of Hancock-meets-Jarrett surges from Wasilewski, and eventually a subtly insinuating groove. Wasilewski's flowing energy ideally complements Stanko's timing and sense of space, but the whole empathetic foursome sounds more of one mind than ever." [ The Guardian ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Marcin Wasilewski Trio: Faithful

2011
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe

Dazzling third ECM album by Poland’s Wasilewski Trio, which perfectly captures the group’s blend of energy and lyricism. There is space here for both the outgoing and the reflective, for profound composition and in-the-moment creativity. The wide-ranging repertoire on “Faithful” (named after the Ornette Coleman title track) includes five new tunes from the pen of Marcin Wasilewski and timeless pieces by Paul Bley and Hermeto Pascoal. From the standard repertory, the trio plays “The Ballad of the Sad Young Men”. Reaching beyond jazz, the players also find a new approach to Hanns Eisler’s “An den kleinen Radioapparat”.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Tomasz Stanko & Marcin Wasilewski Trio: Soul Of Things

2002
Tomasz Stanko - trompeta
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe

Exceptional balladesque album by the great darktoned trumpeter and his excellent young Polish quartet. There is a timeless feel to 'Soul of Things' that relates to Stanko's roots as a player. The forward-looking musician is also looking back here, and re-connecting with early influences. He triggers memories of his first heroes - memories of Miles, memories of Chet Baker - in his lonesome, soulful soliloquies.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Tomasz Stanko & Marcin Wasilewski Trio: Suspended Night

2004
Tomasz Stanko - trompeta
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe

In the two years since Tomasz Stanko’s much-loved “Soul of Things”, both the trumpeter and his young Polish band have continued to make their mark. Many miles of touring, on both sides of the Atlantic, have honed their already exceptional group understanding.

“Suspended Night” builds upon the conceptual framework established by its predecessor – the bulk of the album is devoted to a series of haunting and soulful “Suspended Variations” - but the improvisational quotient is expanded, as all participants take more solo space, and more chances.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Marcin Wasilewski Trio: Spark Of Life

2018
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe
Joakim Milder - saxofon tenor

The fourth ECM album for the Wasilewski Trio adds a special guest, the lyrical Swedish saxophonist Joakim Milder, whom the Poles came to know through performances with Tomasz Stanko’s Litania project. Amongst other affinities, the players share a love of Krzyzstof Komeda’s music, and Komeda’s “Sleep Safe and Warm” theme, written for Polanski’s Rosemary’s Baby make a reappearance here.

As ever, the Wasilewski group balances original material – intensely melodic new tunes by Marcin (including two variations of the beautiful title track) – with a daring range of covers, embracing Herbie Hancock, the Police’s “Message In A Bottle” and Slawomir Kurkiewicz’s arrangement of a composition by Grazyna Bacewicz, and reinforces its status as one of the most resourceful groups around. This is the trio’s second ECM appearance this year, following on from sterling work as Jacob Young’s rhythm section on Forever Young. Spark of Life was recorded in Lugano in March 2014, and produced by Manfred Eicher.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Marcin Wasilewski Trio: Simple Acoustic Trio

2005
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe

These three young Poles are known to ECM listeners worldwide for their sensitive playing in the Tomasz Stanko Quartet. In their homeland, however, they are also have a strong reputation as an autonomous group.

Their first international release shows why. With a wide-open repertoire that intersperses original material with interpretations of pieces by Björk, Wayne Shorter and Szymanowski, Wasilewski, Kurkiewicz and Miskiewicz bring something new to the piano trio tradition.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Tomasz Stanko NY Quartet: Wislawa

Iunie 2012

Tomasz Stanko - tompeta
David Virelles - pian
Thomas Morgan - contrabas
Gerald Cleaver - tobe


The double-album programme of new Stanko compositions is inspired also by the poetry of Wisława Symborska, the Polish poet, essayist and Nobel Laureate, who died in 2012

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Tomasz Stanko Septet: Litania - Music Of Krzystof Komeda

1997

Tomasz Stanko - trompeta
Bernt Rosengren - saxofon tenor
Joakim Milder - saxofon tenor si sopran
Bobo Stenson - pian
Palle Danielsson - contrabas
Jon Christensen - tobe
Terje Rypdal - guitar

Krzysztof Komeda (1931-1969) wrote music for more than 40 films, including classics of the Polish cinema by Roman Polanski and Andrzej Wajda, and Polanski brought him to Hollywood to work on Rosemary's Baby. His soundtrack music, however, was only part of his achievement. Komeda almost singelehandedly instigated the modern jazz movement in Poland and made important contributions toward the shaping of a European aesthetic in jazz composition. Tomasz Stanko was Komeda's closest musical associate. At ECM's urging, Stanko returned to the archive to reinvestigate Komeda's work, rearranging both his intensely melodic film themes and his extended compositions for an all-star Scandinavian band.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Tomasz Stanko Quartet: Leosia

1997

Tomasz Stanko - trompeta
Bobo Stenson - pian
Anders Jormin - contrabas
Tony Oxley - tobe


The second ECM album from this Polish-Swedish-British edition of the Tomasz Stanko Quartet follows the critically-heralded Matka Joanna. As Jazz Journal wrote, 'Trumpeter Stanko's vibrant breadth of tone and poetic feeling for cross-rhythmic drama are second to none.' Leosia marks a further progression, incorporating six first-rate Stanko compositions in his brooding 'Slavic' style, darker than the darkest Miles (and incorporating a tribute to Lautréamont, literature's Count of Darkness), as well as bracing and exploratory duo and trio improvisations, and solos of the higherst calibre by all concerned. The group has an unusual claim on idiomatic completeness; it seems to summarize, in highly original manner, many of the important developments of jazz of the last 30 years. Stanko, however, distances himself from the general drift toward reinterpretation of standards in the 1990s. His bent notes, slurs, smears and violent fanfares are put to the service of a new group music.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Tomasz Stanko: From The Green Hill

1999

Tomasz Stanko - trompeta
John Surman - saxofon bariton, bas clarinet
Dino Saluzzi - bandoneon
Michelle Makarski - vioara
Anders Jormin - contrabas
Jon Christensen - tobe



After his critical and popular success with Litania, revitalizing the music of his countryman Komeda, Poland's Stanko, possessor of perhaps the darkest trumpet sound in jazz, resurfaces here in quite a different context, with associates from everywhere. Bandeonista from Argentina, reedman from England's south coast, classical violinist from Detroit, bassist from Sweden. Only veteran Norwegian drummer Jon Christensen is retained from the Litania session, although a sense of continuity is maintained by Saulzzi, who brings a wistful regret to his interpretation of a Komeda theme. Otherwise Stanko and John Surman share composer credits as well as the special understanding that belongs only to the most lyrical improvisers.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Tomasz Stanko Quartet: Matka Joanna

1995

Tomasz Stanko - trompeta
Bobo Stenson - pian
Anders Jormin - contrabas
Tony Oxley - tobe


Backed by pianist Bobo Stenson, bassist Anders Jormin, and drummer Tony Oxley (in a decidedly Christensenian mode), Stanko brings his pungent lyricism to bear across a swath of mountains and shadows that inhales cobwebs from a “Monastery In The Dark” and exhales the mummified sermons of its “Klostergeist.” Within those lungs mingle forgotten bells, vibrating between prayer and dreams, and chains of latent virtues. Jormin’s bass squeaks like a family of mice in the walls, Stenson the cat stalking them from every alcove. [ ecm reviews ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          
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