Inchide
×

Muzica CD

CD ACT Lars Danielsson: Liberetto III

2017
Lars Danielsson contrabas, violoncel, pian
Gregory Privat - pian
John Parricelli - chitara
Magnus Ostrom - tobe, percutie

Music must touch the emotionsFor Lars Danielsson, that consummate craftsman of sound on both cello and bass, the power of music resides in melody. It is the heart from which everything else develops, and his Liberetto ensemble has stayed true to this principle again in its third album.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ACT Adam Baldych & Helge Lien Trio: Bridges

2015

Adam Baldych - vioara
Helge Lien - pian
Frode Berg - bas
Per Oddvar Johansen - tobe

Bałdych builds bridges The virtuosity of Polish violinist Adam Bałdych enables him to pass with astonishing ease through all kinds of borders: the boundaries of his instrument, the barriers between genres, the seams between composing and improvising.

These dividing lines fall away as his playing coalesces with that of his fellow musicians. These attributes have led the UK magazine Jazzwise to call him “a refreshingly different European jazz star”. As a player who is “a virtuoso and capable of delivering high emotion” (Fono Forum) with his "dervish-like intensity" (Jazz thing), he uses the tradition as the point of departure for new and exploratory journeys up and away beyond jazz.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ACT Adam Baldych & Helge Lien Trio: Brothers

2017

Adam Baldych - vioara
Helge Lien - pian
Frode Berg - bas
Per Oddvar Johansen - tobe
Tore Brunborg - saxofon

Only 31 years old, he already has a whole sheaf of distinguished awards to his name, notably an ECHO Jazz Prize. His music combines Polish folk, classical music and many different kinds of jazz. He plays with an astonishing technical range, in which classical finesse is combined with swirling improvisation - and the defiant energy and power of rock music.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Barre Phillips: End To End

2018

Barre Phillips - contrabas
End to End is a solo bass album by one of the great pioneers of the idiom. Over the last fifty years Barre Phillips, California-born but long a resident of France, has periodically issued solo recordings, considering them the musical equivalent of diary entries (the first one, in 1968, was called Journal violone), updates on his ever-evolving relationship to his chosen instrument. This one, he says, will be the last of his albums in this format, so it is of special interest to those who have followed the story so far and, indeed, to anyone wishing to hear a masterful improviser at work, refocussing lessons learned in the course of a long, creative life. “It’s the end of a cycle,” says Barre, now 83, of the present recording. “Not a summing up, but the last pages of a journal that began fifty years ago.”

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Wolfgang Muthspiel: Where The River Goes

2018

Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Eric Harland - tobe

Where The River Goes carries the story forward from Rising Grace, Austrian guitarist Wolfgang Muthspiel’s widely acclaimed 2016 recording, returning his cast of musicians to the same studio in southern France, for more of the intuitive magic and deep listening that characterised the earlier album. “The disc’s ambience,” said Downbeat of Rising Grace, “is meditative yet optimistic and joyful. Percolating grooves propel the flow; elemental melodies and classical harmonies provide signposts.”

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Joe Maneri, Barre Phillips, Mat Maneri: Angles Of Repose

2004

Joe Maneri - clarinet, saxofon alto si tenor
Barre Phillips - contrabas
Mat Maneri - viola

Joe Maneri, the eccentric, free-improvising saxophonist and pianist continues his long partnership with his son, Mat, a violinist. It’s a relationship that has been deepened by the duo’s collaborations with that great American double-bass player, Barre Phillips. Phillips’ technique and ear allow him to adapt readily to the Maneris’ fondness for lurking in the dangerous territories between the notes in the traditional western scale. Mat Maneri often plays an electric violin, and is frequently tumultuously energetic with it, but he restricts himself to viola on this session, and the set is entirely acoustic. …
A conversation between uncompromising equals, full of demanding but absorbing detail.
[ The Guardian ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Joe Maneri, Mat Maneri: Blessed

1998

Joe Maneri - clarinet, saxofon alto si tenor, pian
Mat Maneri - vioara electrica cu 6 corzi, vioara bariton, viola electrica cu 5 corzi

The first-ever duo album from the the highly-idiosyncratic American masters of microtonal improvisation. Father and son Maneri speak a musical language all their own, even when, as here, they reach out to embrace standards (Mat's rivettingly strange account of 'Body And Soul'), spirituals (a wildly emotional 'Never Said A Mumblin' Word) or Greek music (Joe's tribute to Charlie Gardenis, 'the Bird of the Greek clarinet').

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Joe Maneri, Joe Morris, Mat Maneri: Three Man Walking

1996

Joe Maneri - clarinet, saxofon alto si tenor, pian
Joe Morris - chitara electrica
Mat Maneri - vioara electrica cu 6 corzi

This album marks the ECM debut of Joe Maneri, a 69 year old improvisor and composer of vast originality, joined here by his son Mat Maneri and the highly-acclaimed guitarist Joe Morris. Three Men Walking is the second recording to be issued under Maneri's name and only the third album to feature him at all. In his long career, Maneri has never attempted to woo the music industry and, in consequence, his work is drastically under­documented, but his reputation amongst creative musicians is secure. Paul Bley and George Russell have hailed Joe Maneri as "a genius"; Cecil Taylor has praised his courage and originality; Ran Blake has called him "one of the 20th century's greatest clarinettists".

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Joe Maneri Quartet: In Full Cry

1997

Joe Maneri - clarinet, saxofon alto si tenor, pian
Mat Maneri - vioara electrica cu 6 corzi
John Lockwood - contrabas
Randy Peterson - tobe, percutie

Maneri's ECM debut Three Men Walking was an album-of-the-year selection in England's The Guardian, France's Jazz Magazine and Germany's Jazzthetik. On In Full Cry, the 70-year-old clarinettist/saxophonist/pianist, one of American music's great originals, leads his quartet through a programme of free improvisations, jazz standards, and spirituals that hark back to his days as a street preacher in Brooklyn. The musical exchanges between Joe and his son Mat (on electric 6-string violin) - employing the grammar of Father Maneri's 72-notes-per-octave microtonal system - are like nothing else in jazz.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Keith Jarrett: La Fenice

2018

Keith Jarrett - pian

This recording of Keith Jarrett’s extraordinary solo performance at Gran Teatro La Fenice in Venice in July 2006 finds Jarrett entering one of Italy’s most famous classical venues and channeling the flow of inspiration to shape something new. In this case, a suite of eight spontaneously created pieces referencing everything from the blues to atonality to heart-rending ballads.

  • Numar discuri: 2
  • Gen muzica: Jazz

CD ECM Records Keith Jarrett : A Multitude Of Angels

2016
Keith Jarrett - pian

If ‘A Multitude of Angels’ represents the last, 20 years later, of Jarrett's epic improvisational forays to be released, it's as strong a swan song of that period in his life as any. More, truthfully, because in its revelatory nature, surprising energy and persistent invention, this collection of four outstanding concerts that few could manage in good health, let alone Jarrett's declining physical condition—where the pianist writes that he ‘was busy playing as though it was the last time’—stands amongst the very best of the pianist's long-form solo piano releases. It's a set whose importance cannot be underestimated and should not be undervalued. [ John Kelman, All About Jazz ]

  • Numar discuri: 4
  • Gen muzica: Jazz

CD ECM Records Michael Galasso: High Lines

2002
Michael Galasso - vioara
Terje Rypdal - chitara electrica
Frank Coln - percutie
Marc Marder - contrabas

Classically-trained violinist/composer Galasso’s first ECM release in 20 years is a mix of influences from jazz and classical music to – probably – idioms from the near, middle and far east he has encountered in his ceaseless wandering around the world. … Galasso, who composed all these, mostly short, pieces, is a virtuoso of breathtaking quality, and Rypdal fills the performances in which he takes part with some compelling texture. Whether or not it may be considered jazz doesn’t really matter; it remains one of the more unusual releases of the year.
Ray Comiskey, Irish Times

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Anouar Brahem: Le Voyage Du Sahar

2006

Anouar Brahem - oud
Francois Couturier - pian
Jean-Louis Matinier - acordeon

This music is difficult to describe, as it blends myriad styles and forms spanning several cultures and centuries, but it speaks to the heart directly with a beauty and profundity that only the most obtuse listener could remain indifferent to. … Besides being a recording of extraordinary depth and dimensionality, Le Voyage de Sahar also serves as a master class to players of any stringed instrument, for Brahem’s phrasing, articulation, ornamentation, and sense of space are often simply breathtaking.
Barry Cleveland, Frets Magazine

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Ralph Towner: Anthem

2000
Ralph Towner - chitara clasica, double-six

Operating somewhere between contemporary classical and jazz, ... Towner occupies a unique niche in jazz. Known for his carneo on Weather Report’s 1972 album I Sing The Body Electric and work with the classical crossover group Oregon and countless ECM luminaries, he is perhaps best loved for his solo recitals, of which Anthem is the latest – and it’s a gem. There’s a pair of jazz standards, but the majority of the mesmerising set comprises original 12-string and classical guitar pieces, aching, ruminative sketches and developed compositions of such emotional vividness and musical detail that they hardly seem to be the work of one man. The music tugs at the listener’s attention and, with breathtaking balance and control, is always compelling. The acoustic guitar has never sounded better, and neither has this amazing guitar player. [ Chris Ingham, Mojo ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Ralph Towner: My Foolish Heart

2017

Ralph Towner - chitara clasica, double-six

In his dedication to the acoustic instrument, and his exploration of the borders of both classical and jazz, Ralph Towner is effectively the guitarist equivalent of Keith Jarrett: there’s a calm, reflective quality, allied to an intense involvement, about both players’ solo work, of which ‘My Foolish Heart’ may be Towner’s best since his sublime 1973 debut ‘Diary’. [ Andy Gill, The Independent ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Egberto Gismonti: Danca Des Cabecas

1977
Egberto Gismonti - chitara, pian, voce, flaute
Nana Vasconcelos - percutie, berimbau, voce

Egberto Gismonti’s Dança das Cabeças (recorded 1976) was the first ECM disc from the brilliant Brazilian guitarist and pianist and the first document of Egberto’s collaboration with percussionist Nana Vasconcelos. It was a revelatory blending of sounds, Gismonti’s finely sculpted compositions irradiated by Nana’s Afro-Brazilian rhythm concept and his rainforest sounds. Dança das Cabeças won the German Record Critics Prize as Album of the Year in 1977.

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Egberto Gismonti: Solo

1979

Egberto Gismonti - chitara acustica, pian, voce, percutie

The sun rises on Solo through the 20-minute “Selva Amazonica, Pau Rolou,” by which Gismonti plants us into his fertile imagination. From that imagination we eventually depart with only the merest glimpses, despite the protracted track times.

The opening suite is replete with resonant 8-string guitar and the floating charm of his wordless singing. Touches such as the latter add hints of remembrance, sealing a child’s proverbial innocence with an adult’s creative stamp. Across this steel-stringed landscape Gismonti imprints the tread of the surdo (a bass drum of African origin), then settles into a pre-dawn hymn against a wavering backdrop of cooking bells.

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Egberto Gismonti: Alma

1996
Egberto Gismonti - pian

This is definitely one of those few recordings I would want with me if I were stranded on a desert island.
Alma is sublimely beautiful, sad, and joyous. Many times I have been moved to tears by these compositions.
Even though Gismonte is a renowned guitarist, this recording features piano (with a few hints of synthesizer dropped in very sparingly, to wonderful effect).
Amazing, powerful music. [ Amazon ]

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Carioca

1993

Carioca - chitara acustica, diverse instrumente cu corzi
Egberto Gismonti - flaut
Rosaly - voce


Freitas aka. Carioca = Guitar player from Rio De Janeiro, Brazil born in 1955. He has worked as a music teacher, as an arranger of more than thirty independent albums, and as a composer for theater, dance and film. Due to constant touring in Europe, he began living in Switzerland. Together with Ted Barlocher, he founded the "Escola de Samba do Apito"

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Nik Bartsch's Ronin: AWASE

2018
Nik Bartsch - pian
Sha - bas clarinet, saxofon alto
Thomy Jordi - bas
Kaspar Rast - tobe

Bärtsch speaks of a new-found freedom and flexibility in the approach to the material, with “greater transparency, more interaction, more joy in every performance”. The freedom here extends to revisiting earlier Bärtsch modules alongside new compositions including, for the first time on a Ronin record, a piece by reedman Sha. “We’ve spent a long time working on the new repertoire, really checking out and fine tuning all the details.”

Awase, a term from Aikido, means “moving together” in the sense of matching energies, a fitting metaphor for the dynamic precision, tessellated grooves and balletic minimalism of Ronin today. In the old band, Bärtsch often chose to present Björn Meyer’s flamboyant 6-string bass as a lead instrument. Thomy Jordi’s 4-string bass guitar tends to be deployed within the fabric of the pieces, creatively fulfilling a more traditional bass function and locking in with Kaspar Rast’s powerful drums. With Bärtsch also scaling back his own solo playing, listeners are encouraged to hear the whole music and its layered, shifting approach to interaction in new ways.

  • Numar discuri: 1
  • Gen muzica: Jazz

x
Daca vrei sa fii la curent cu noutatile din showroom, stirile din lumea Hi-Fi, evenimentele si concusurile pe care le organizam, da-ne un like pe Facebook:
iar daca vrei sa ai acces imediat la clipuri cu review-uri, tips and tricks si prezentari de produse, da-ne un subscribe pe canalul nostru de YouTube:
AVstore utilizeaza cookies pentru functionarea corecta a platformei, masurarea traficului si functionalitati care ne permit sa iti prezentam un continut particularizat in functie de preferintele tale. Pentru retragerea acordului pentru cookies, te rugam sa consulti Politica de Cookies. De asemenea, te invitam sa parcurgi Politica noastra de Confidentialitate, ce a devenit aplicabila incepand cu data de 21 August 2018.
DA, INTELEG