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Muzica CD

CD ECM Records Barre Phillips: End To End

2018

Barre Phillips - contrabas
End to End is a solo bass album by one of the great pioneers of the idiom. Over the last fifty years Barre Phillips, California-born but long a resident of France, has periodically issued solo recordings, considering them the musical equivalent of diary entries (the first one, in 1968, was called Journal violone), updates on his ever-evolving relationship to his chosen instrument. This one, he says, will be the last of his albums in this format, so it is of special interest to those who have followed the story so far and, indeed, to anyone wishing to hear a masterful improviser at work, refocussing lessons learned in the course of a long, creative life. “It’s the end of a cycle,” says Barre, now 83, of the present recording. “Not a summing up, but the last pages of a journal that began fifty years ago.”

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Joe Maneri, Mat Maneri: Blessed

1998

Joe Maneri - clarinet, saxofon alto si tenor, pian
Mat Maneri - vioara electrica cu 6 corzi, vioara bariton, viola electrica cu 5 corzi

The first-ever duo album from the the highly-idiosyncratic American masters of microtonal improvisation. Father and son Maneri speak a musical language all their own, even when, as here, they reach out to embrace standards (Mat's rivettingly strange account of 'Body And Soul'), spirituals (a wildly emotional 'Never Said A Mumblin' Word) or Greek music (Joe's tribute to Charlie Gardenis, 'the Bird of the Greek clarinet').

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Joe Maneri, Joe Morris, Mat Maneri: Three Man Walking

1996

Joe Maneri - clarinet, saxofon alto si tenor, pian
Joe Morris - chitara electrica
Mat Maneri - vioara electrica cu 6 corzi

This album marks the ECM debut of Joe Maneri, a 69 year old improvisor and composer of vast originality, joined here by his son Mat Maneri and the highly-acclaimed guitarist Joe Morris. Three Men Walking is the second recording to be issued under Maneri's name and only the third album to feature him at all. In his long career, Maneri has never attempted to woo the music industry and, in consequence, his work is drastically under­documented, but his reputation amongst creative musicians is secure. Paul Bley and George Russell have hailed Joe Maneri as "a genius"; Cecil Taylor has praised his courage and originality; Ran Blake has called him "one of the 20th century's greatest clarinettists".

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Joe Maneri Quartet: In Full Cry

1997

Joe Maneri - clarinet, saxofon alto si tenor, pian
Mat Maneri - vioara electrica cu 6 corzi
John Lockwood - contrabas
Randy Peterson - tobe, percutie

Maneri's ECM debut Three Men Walking was an album-of-the-year selection in England's The Guardian, France's Jazz Magazine and Germany's Jazzthetik. On In Full Cry, the 70-year-old clarinettist/saxophonist/pianist, one of American music's great originals, leads his quartet through a programme of free improvisations, jazz standards, and spirituals that hark back to his days as a street preacher in Brooklyn. The musical exchanges between Joe and his son Mat (on electric 6-string violin) - employing the grammar of Father Maneri's 72-notes-per-octave microtonal system - are like nothing else in jazz.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Joe Maneri, Barre Phillips, Mat Maneri: Tales Of Rohnlief

1999

Joe Maneri - clarinet, saxofon alto si tenor, pian, voce
Barre Phillips - contrabas
Mat Maneri - vioara el;ectrica cu 6 corzi, vioara bariton

The most talked-about father and son team in improvised music, microtonal innovators Joe and Mat Maneri, join forces with master bassist Barre Phillips. In these 'Tales of Rohnlief', moments of high humour are counterbalanced by deeply soulful playing. This is experimental jazz at its most warm-hearted and inviting.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Keith Jarrett: La Fenice

2018

Keith Jarrett - pian

This recording of Keith Jarrett’s extraordinary solo performance at Gran Teatro La Fenice in Venice in July 2006 finds Jarrett entering one of Italy’s most famous classical venues and channeling the flow of inspiration to shape something new. In this case, a suite of eight spontaneously created pieces referencing everything from the blues to atonality to heart-rending ballads.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Michael Galasso: High Lines

2002
Michael Galasso - vioara
Terje Rypdal - chitara electrica
Frank Coln - percutie
Marc Marder - contrabas

Classically-trained violinist/composer Galasso’s first ECM release in 20 years is a mix of influences from jazz and classical music to – probably – idioms from the near, middle and far east he has encountered in his ceaseless wandering around the world. … Galasso, who composed all these, mostly short, pieces, is a virtuoso of breathtaking quality, and Rypdal fills the performances in which he takes part with some compelling texture. Whether or not it may be considered jazz doesn’t really matter; it remains one of the more unusual releases of the year.
Ray Comiskey, Irish Times

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Anouar Brahem: Astrakan Cafe

2000

Anouar Brahem - oud
Barbaros Erkose - clarinet
Lassad Hosni - percutie

The ECM label is usually linked with a pre-world music generation of musicians who absorbed international influences into a basically Western style. Here, though, is one of its select few stars from further afield, the oud player Anouar Brahem, in a haunting album of quiet, concentrated and poetic duos and trios with the Turkish clarinettist Barbaros Erköse and percussionist Lassad Hosni. The café of the title is symbolic of both transience and rootedness. Pace, rhythm and colour emerge from these simple resources, lightly poised and often catchy, though there are some heady improvisations and an arresting start as Erköse phrases his unaccompanied line with the sensitivity of a hushed voice.
BBC Music Magazine

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Anouar Brahem: Le Pas Du Chat Noir

2002

Anouar Brahem - oud
Francois Couturier - pian
Jean-Louis Matinier - acordeon

The album is like a sad rhapsody, full of shadowy mirages and blue echoes, the prevailing melancholy not dour and heavy but rather light and cloudy. Names like Satie, Debussy, Mounir Bachir, even Eno in acoustic mode keep flashing across your mental screen as you listen. This is academy music with no clothes on, naked and awkward, honest and beautiful. Shut your eyes and you could be in the port of Dar el Baida, a seagull swooping over a grey-blue sea and huge cranes and rusty hulled freighters in the background, the light and forgetful breeze brushing your cheek. Le pas du chat noir features uncontrived performances of cat-like agility – soft, bright-eyed and magical. It is a brilliant piece of work. [ Andy Morgan, Songlines ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Ralph Towner - Solstice: Sound And Shadows

1977

Ralph Towner - chitara clasica, double-six, pian
Jan Garbarek - saxofon tenor si sopran, flaut
Eberhard Weber - bas electric, violoncel
Jon Christensen - tobe, percutie

If Ralph Towner’s classic Solstice was an overland journey, then Sound And Shadows is a subterranean dream. Featuring the same lineup as its predecessor—Jan Garbarek on saxophones, Eberhard Weber on bass and cello, Jon Christensen on drums, and Towner himself behind an arsenal of instruments—the results are perhaps not as focused. Then again, they don’t need to be.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Ralph Towner: My Foolish Heart

2017

Ralph Towner - chitara clasica, double-six

In his dedication to the acoustic instrument, and his exploration of the borders of both classical and jazz, Ralph Towner is effectively the guitarist equivalent of Keith Jarrett: there’s a calm, reflective quality, allied to an intense involvement, about both players’ solo work, of which ‘My Foolish Heart’ may be Towner’s best since his sublime 1973 debut ‘Diary’. [ Andy Gill, The Independent ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Egberto Gismonti: Danca Des Cabecas

1977
Egberto Gismonti - chitara, pian, voce, flaute
Nana Vasconcelos - percutie, berimbau, voce

Egberto Gismonti’s Dança das Cabeças (recorded 1976) was the first ECM disc from the brilliant Brazilian guitarist and pianist and the first document of Egberto’s collaboration with percussionist Nana Vasconcelos. It was a revelatory blending of sounds, Gismonti’s finely sculpted compositions irradiated by Nana’s Afro-Brazilian rhythm concept and his rainforest sounds. Dança das Cabeças won the German Record Critics Prize as Album of the Year in 1977.

  • Numar discuri: 1
  • Gen muzica: World

Pret: 70          

CD ECM Records Egberto Gismonti: Saudacoes

2006 - 2007

Egberto Gismonti - chitara
Alexandre Gismonti - chitara

Camerata Romeu, dirijor Zenaida Romeu
The brilliant, kaleidoscopic Brazilian composer Egberto Gismonti has made his first album for ECM in 12 years, Saudações. It’s a double-exposure of where he is now. The first disc presents an orchestral piece… The second is totally different: an hour-plus of stunning guitar duets on original music with his son, Alexandre Gismonti. … This is Mr. Gismonti’s original style, rigorous, percussive, deep, harmony-rich, half of it tied to Brazilian popular music and the dance impulse, all of it singable. [ Ben Ratliff, The New York Times ]

  • Numar discuri: 2
  • Gen muzica: World

Pret: 105          

CD ECM Records Egberto Gismonti: Solo

1979

Egberto Gismonti - chitara acustica, pian, voce, percutie

The sun rises on Solo through the 20-minute “Selva Amazonica, Pau Rolou,” by which Gismonti plants us into his fertile imagination. From that imagination we eventually depart with only the merest glimpses, despite the protracted track times.

The opening suite is replete with resonant 8-string guitar and the floating charm of his wordless singing. Touches such as the latter add hints of remembrance, sealing a child’s proverbial innocence with an adult’s creative stamp. Across this steel-stringed landscape Gismonti imprints the tread of the surdo (a bass drum of African origin), then settles into a pre-dawn hymn against a wavering backdrop of cooking bells.

  • Numar discuri: 1
  • Gen muzica: World

Pret: 70          

CD ECM Records Egberto Gismonti: Alma

1996
Egberto Gismonti - pian

This is definitely one of those few recordings I would want with me if I were stranded on a desert island.
Alma is sublimely beautiful, sad, and joyous. Many times I have been moved to tears by these compositions.
Even though Gismonte is a renowned guitarist, this recording features piano (with a few hints of synthesizer dropped in very sparingly, to wonderful effect).
Amazing, powerful music. [ Amazon ]

  • Numar discuri: 1
  • Gen muzica: World

Pret: 70          

CD ECM Records Carioca

1993

Carioca - chitara acustica, diverse instrumente cu corzi
Egberto Gismonti - flaut
Rosaly - voce


Freitas aka. Carioca = Guitar player from Rio De Janeiro, Brazil born in 1955. He has worked as a music teacher, as an arranger of more than thirty independent albums, and as a composer for theater, dance and film. Due to constant touring in Europe, he began living in Switzerland. Together with Ted Barlocher, he founded the "Escola de Samba do Apito"

  • Numar discuri: 1
  • Gen muzica: World

Pret: 70          

CD ECM Records Nik Bartsch's Ronin: Llyria

2010

Nik Bartsch - pian
Sha - bas clarinet, saxofon alto
Bjorn Meyer - bas
Kaspar Rast - tobe
Andi Pupato - percutie

Those who loved the spidery funk of Ronin's earliest releases Randori, Live, and Rea may initially be put off by the band's latest effort. Easily the "jazziest" Ronin disc to date, Llyria retains much of the precision of the band's previous output, and yet sounds ever so slightly more human than anything they've done before.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Nik Bartsch's Ronin: Holon

2007

Nik Bartsch - pian
Sha - bas clarinet, contrabas clarinet, alto saxofon
Bjorn Meyer - bas
Kaspar Rast - tobe
Andi Pupato - percutie

The second ECM album by Swiss composer-pianist Nik Bärtsch and his band Ronin reaps the benefits of the two years of roadwork undertaken since the recording of “Stoa” “We’ve simply played a lot more,” Bärtsch emphasises: “The development of the band as an organism is a very important force for the music. It is through playing that the pieces I write grow and bloom.”

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Nik Bartsch's Ronin: Stoa

2006

Nik Bartsch - pian
Sha - bas clarinet, contrabas clarinet, alto saxofon
Bjorn Meyer - bas
Kaspar Rast - tobe
Andi Pupato - percutie

This is music that throbs with a pulsating dynamism that’s almost hypnotic. … Woven into the rhythmic tapestry is startling imagery that grows from simple beginnings – the way he exploits a single note using space and dynamics in the introduction of “Modul 36” gradually evolves into a musical journey that sweeps you along with its deft twists and turns. …

The elements of simplicity and purity are both impressive in their momentary effect but they are also musical gestures that reveal their secrets reluctantly. Bärtsch’s mysterious music will be around for a lot longer than the quick fix that majority taste seems to clamour for.
Stuart Nicholson, The Observer Music Monthly

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Nik Bartsch's Mobile: Continuum

2016
Nik Bartsch - pian
Sha - bas clarinet, contrabas clarinet
Kaspar Rast - tobe, percutie
Nicolas Stocker - tobe, percutie
Etienne Abelin - vioara
Ola Sendecki - vioara
David Schnee - viola
Solme Hong - violoncel
Ambrosius Huber - violoncel

Few musicians have continued to hone a concept as singularly unique and instantly recognizable, irrespective of context, as that being explored by Swiss pianist Nik Bärtsch since he first formed Mobile with Don Li, Kaspar Rast and Mats Eser in 1997. First emerging on record in 2001 with Ritual Groove Music (Self-Released, reissued Ronin Rhythm, 2006), Bärtsch has evolved three very different contexts with which to explore the confluence of trance-inducing minimalist elements with rigorous, ritualistic compositional constructs, a deep interest in Japanese culture and other musical touchstones. While all three contexts—in addition to the all-acoustic Mobile, Bärtsch has performed and recorded as a solo pianist, as well as with the more elastic and jazz/funk-centric Ronin—share common DNA-level elements, each context is also different: refracting Bärtsch's underlying architectures through a series of disparate prisms.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          
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